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At a Glance: 

Design: Vintage turquoise and sterling silver bead necklace with double-strand center, single-strand ends, and suspended center drop
Stone: Turquoise cabochons visually consistent with Fox material
Color: Saturated, darker green and teal tones with golden brown matrix and subtle blue-green highlights in stronger light
Accent: Rounded stone stations with twisted wire borders, and oxidized recesses
Metal: .925 sterling silver (unmarked)
Attribution: Design and construction consistent with Navajo work
Era: Circa 1970s
Status: Unmarked and unsigned vintage turquoise and sterling silver bead necklace
Condition: Very Fine — see SCJ Vintage Condition Guide

Specifications:

• Wear scale: statement choker sitting slightly above or at the collarbone on most wearers
• Largest stone: 1 1/2" (bezel to bezel)
• Center drop length: 2 3/4"
• Side stations length range: approx. 13/16" - 1"
• Beads: approx. 8 mm
• Total length: 16 1/2" including clasp; average neck sizes may benefit from a 2-3" extender for a more relaxed drape
• Weight: 88.7 grams

Gallery Note:

This necklace has a quieter kind of presence: dark green to deep teal turquoise, oxidized sterling, and a compact choker profile that feels substantial without becoming loud. The stones are not bright blue statement pieces — their appeal is more restrained, with saturated color, golden-brown matrix, and subtle teal highlights that reward close attention.

The composition is built around rhythm and weight. Seven turquoise stations move across the front, framed by darkened silver and joined by a double strand of bench-made sterling beads. A suspended oval drop at the center adds movement and a clear focal point without breaking the choker silhouette.

Light changes the read. Indoors, the stones run deeper and more subdued, dark green and teal, carrying the eye from station to station. In stronger light, brighter blue-green flashes surface briefly — then the mood settles back, grounded and refined rather than bright or showy.

The silverwork holds that same character. Beads are visibly hand-assembled, with softened surfaces, seams, and oxidation that give the piece its vintage depth. Each station sits in a heavy frame with twisted wire borders and dark recesses — an old-style protected setting that feels hand-worked from every angle.

The turquoise is identified as visually consistent with Fox material based on color, matrix, and overall appearance. No laboratory documentation accompanies the necklace, and SCJ presents the identification as an evidence-led working attribution rather than a provenance guarantee.

Hallmark & Identification Notes:

This piece carries no maker's hallmark or sterling stamp. The construction speaks clearly — hand-built sterling beads, twisted wire borders, heavy stone stations, oxidized recesses, a wire hook clasp, and a double-strand center — all hallmarks of traditional Navajo silversmithing. SCJ describes the attribution through construction and design language, as is standard practice for unsigned vintage work.

✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected collector notes may be featured in our upcoming Collectors Circle Insights publications.

✨ Collectors Circle Members receive a welcome offer.

At a Glance: 

Design: Signed vintage spiderweb turquoise and sterling silver bead necklace with bench-made beads, three suspended stone stations, and a tandem center drop
Stone: Spiderweb turquoise with professional opinions noting both Kingman and high-grade Hubei visual possibilities
Color: Perfectly matched saturated blue turquoise with reddish brown spiderweb matrix and darker host-rock movement
Accent: Heavy-gauge pendant settings with twisted wire borders, stamped side accents, and oxidized silver depth
Metal: .925 sterling silver
Artist: Signed BEN.S | Ben Sandoval, Navajo silversmith
Era: Late 20th century, most likely 1980s
Status: Signed turquoise and sterling silver statement necklace
Condition: Very Fine — seeSCJ Vintage Condition Guide

Specifications: 

• Wear scale: princess-length statement necklace spanning the upper chest
• Largest stone: 1 1/2" (bezel to bezel)
• Center in-tandem pendant length: 4 3/4" (including bail)
• Side pendants length range: 2 1/4" - 2 1/2"
• Beads: approx. 7 mm
• Total length: 17 3/4" (including clasp)
• Weight: 90.3 grams

Gallery Note:

This signed Ben Sandoval necklace is a serious turquoise statement piece: saturated blue spiderweb stones, heavy sterling pendant settings, and a strong bead construction that sits high across the chest. The design is built around three suspended turquoise stations, with the center pendant extending into a dramatic tandem drop that adds movement, length, and visual focus to the necklace.

The turquoise is the immediate draw. Each cabochon shows a vivid blue color moving through a reddish-brown spiderweb matrix, with darker host-rock passages that add depth and contrast. The stones have the kind of bold surface activity collectors look for in spiderweb turquoise, while the matching color family keeps the necklace cohesive rather than busy.

Sandoval’s silverwork gives the piece its structure. The pendant settings feature substantial bezels, twisted-wire borders, stamped side accents, and a dark oxidized ground that sharpens the blue of the stones. The bench-made sterling beads add weight and rhythm, shifting from a double-strand center section to a single strand toward the clasp for a balanced, wearable drape.

The turquoise is presented transparently. Professional review has produced two plausible readings: Kingman turquoise and high-grade Hubei Province material. Kingman was considered the more likely identification in one professional review, based on the necklace’s construction context and the understanding that Ben Sandoval is not known to work with imported material. Other turquoise specialists noted visual characteristics consistent with high-grade Hubei. Because no mine paperwork or laboratory report accompanies the necklace, SCJ presents the stones as high-grade spiderweb turquoise visually consistent with Kingman, with the Hubei comparison disclosed as part of an open, evidence-led identification.

Hallmark & Maker Notes:

This necklace is signed BEN.S and stamped .925 on the reverse of one pendant. The mark is associated with Ben Sandoval, and the construction is consistent with signed late-20th-century Navajo turquoise and sterling silver work.

The necklace is built with a combination of bench-made sterling beads, link-chain stringing, hook-and-eye closure, and suspended stone stations. The center section uses a double-strand bead arrangement to support the weight and visual importance of the turquoise pendants, while the necklace transitions to a single strand toward the clasp for comfort and proportion.

SCJ presents this piece through its signed hallmark, sterling stamp, heavy-gauge construction, matched spiderweb turquoise cabochons, and professional review. The turquoise origin is intentionally described with transparency rather than as a closed mine claim.

✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.

At a Glance:

Design: Native American three-panel hinged bracelet with multi-stone turquoise clusters and deeply oxidized hand-chased borders
Stone: 21 turquoise cabochons with natural appearance consistent with Nevada material
Color: Vivid blue palette from sky-blue to saturated blue and teal, with minimal to warm brown matrix across select stones
Accent: Silver beads and wing motif appliqués at the terminals
Metal: .925 sterling silver, unmarked
Attribution: Construction and design associated with Navajo silverwork
Era: Mid-to-late 20th century
Status: Unsigned vintage turquoise cluster bracelet with no silver stamp
Condition: Very Fine — see SCJ Vintage Condition Guide

Specifications:

• Wear scale: medium-width bracelet with strong wrist coverage
• Largest stone: 9/16" × 3/8" (bezel to bezel)
• Face width: 2"
• Inside length: 7 1/4" 
• Clasp: box
• Wearable inside circumference: approx. 6 5/8" (M per SCJ size guide)
• Weight: 97.1 grams

Gallery Note:

This bracelet is built as a three-part composition rather than a single broad face. The center panel uses a dominant oval cabochon as its focal point, while the flanking panels carry tighter stone groupings that extend the color across the wrist. The turquoise reads clean and vivid overall, with enough tonal movement to keep the cluster lively without disrupting the bracelet’s symmetry.

The dark oxidized finish adds depth around the stonework and brings contrast to the raised silver details. Its panel construction gives the bracelet flexibility and a more tailored fit than a rigid wide cuff, while the terminal decoration visually widens the piece without making it feel overbuilt.

At 97.1 grams with a 2" face, this is a substantial vintage cluster bracelet with strong collector appeal. The box clasp closes flush and secure, and the overall condition reflects a piece that has been worn with care.

Hallmark & Maker Notes:

This bracelet carries no hallmark, maker’s stamp, or silver purity mark. The Navajo attribution is observational and supported by the three-panel hinged construction, dense multi-stone cluster layout, hand-chased and applied silverwork details, oxidized finish, and mid-to-late 20th century fabrication character.

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Overview:

Circa 1970s, unsigned Navajo sterling silver cuff bracelet with turquoise chip mosaic inlay, a central wheel design, hand-engraved crescent borders, and a heavy-gauge convex shank.

At a Glance:

Vintage heavy-gauge turquoise chip inlay cuff consistent with Navajo work
Central turquoise wheel mosaic with flanking half panels
Crescent-textured engraved border & accents
One-of-a-kind period example — 89.5 grams

Bracelet Features:

• .925 sterling silver
• Inlaid crushed polychrome turquoise chips
• Heavy-gauge convex shank
• Engraved borders and terminals 
• Construction & design consistent with 1970s Navajo silverwork
• Unsigned
• Condition: Fine — see SCJ Vintage Condition Guide

Bracelet Specifications:

• Wear scale: medium with broad coverage and low profile
• Face width: 1 1/2"
• Inside length: 5 1/2"
• Gap: 1 3/16"
• Total inside circumference: 6 11/16" (S per SCJ size guide)
• Weight: 89.5 grams
  

ABOUT THIS PIECE: 

This vintage Navajo cuff centers on a repeating constellation of turquoise mosaics, each composed of small fragments of crushed stone fitted into hand-cut silver channels. Known as chip inlay, the method became a defining style in Navajo silversmithing in the 1970s and is closely associated with the work of the Singer family, especially Tommy Singer.

The wide sterling cuff began as a heavy sheet of silver, and it was subsequently hand-engraved before the stones were applied. The arched cuts provide a visual interruption to the inlay work, adding movement and depth across the shank. The crisp-textured crescents also appear along the borders and at the terminals, giving continuity to the composition. The result is a restrained design: a full central inlaid circle flanked by half-panels that highlight the varied hues of the stones and unify the cuff through symmetry and rhythm. 

As the cuff turns on the wrist, the surface shifts between precise geometry and sharply cut texture, giving the bracelet presence without relying on size or heavy ornamentation. Decades of wear have left a deep patina that emphasizes the engraved detail and contrast against the blue palette.

PERFECT FOR:

• Collectors drawn to early chip inlay work
• Navajo handmade jewelry collections
• Anyone who appreciates artisan mosaic jewelry
• Everyday wear with weight and presence
• Wearers who favor pattern over single-stone focus

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At a Glance:

Design: Native American extra-large turquoise cluster cross pendant with balanced cluster placement and elongated cross form
Stone: Eleven green turquoise cabochons consistent with Nevada material
Color: Green, smoky teal, olive, and blue-green tones with black, reddish-brown, and yellow matrix
Accent: Silver beads at the stone settings
Metal: .925 sterling silver
Artist: Signed E. A. | Evelyn Anderson, Navajo silversmith
Era: Late 20th century
Status: Signed vintage Native American jewelry piece
Condition: Very Fine — see SCJ Vintage Condition Guide

Specifications:

• Wear scale: extra-large statement pendant — covers upper chest area when worn with choker-length Navajo pearls (not included)
• Largest stone: 7/8" x 1/2" (bezel to bezel)
  
• Width: 3"
• Length: 4 5/8"
  
• Bail: open shepherd's hook designed for direct attachment to heavy-gauge chains, such as foxtail-strung Navajo pearls.
• Weight: 29.9 grams

Gallery Note:

This extra-large Navajo turquoise cross pendant is centered on eleven green cabochons arranged across a substantial sterling silver framework. The stones carry a deep, earthy green palette with scattered blue accents, while black, reddish-brown, and yellow matrix moves through the surface like desert mineral veining. A light polish preserves the stones’ organic character and allows their natural variation to remain central to the piece.

The silverwork is strong and architectural, providing the structure needed to maintain its bold cross form while allowing the turquoise to remain the visual center. The elongated shepherd’s hook bail adds quiet versatility, making the piece suitable for heavier silver chains, multi-strand beads, or Navajo pearls.

Balanced in composition and commanding in scale, this pendant reflects the collector appeal of vintage Navajo jewelry: expressive stone character, confident silver construction, and a meaningful connection to a living tradition of family-taught silversmithing.

Hallmark & Maker Notes:

This pendant is signed and attributed to Navajo silversmith Evelyn Anderson. Anderson is referenced in Native jewelry market sources as part of a multigenerational Navajo silversmithing family and as the mother of noted artisan Aaron Anderson, who learned silverwork within the family from Evelyn Anderson and Wilfred Henry.

Public biographical information appears limited, and similar initials or surname marks can overlap in Native jewelry references. This attribution is presented cautiously based on the signature, comparable market examples, and available family-lineage references.

✨ Collectors Circle members receive a welcome offer on their first purchase. 

✨Collectors Circle Members receive a welcome offer on their first purchase.

At a Glance:

Design: Native American cuff with a graduated three-stone turquoise arrangement and twisted flat-wire shank with eagle motifs
Stone: Natural turquoise consistent with Cerrillos material
Color: Green turquoise, ranging from deep forest green at the center to brighter open green at the shoulders
Accent: Applied eagle motifs flanking the side stones
Metal: .925 sterling silver, unmarked
Attribution: Navajo work associated with the late Harvey Era
Era: Circa 1940s
Status: Unsigned and unstamped turquoise trio sterling cuff
Condition: Excellent — see SCJ Vintage Condition Guide

Specifications:

• Wear scale: high profile, medium scale cuff — noticeable without excess
• Largest stone: approx. 3/4" (bezel to bezel)
• Face width: 1"
• Inside length: 5 1/4"
• Gap: 1 1/4"
• Total inside circumference: 6 1/2" (M per SCJ size guide)
• Weight: 37.3 grams

Gallery Note:

This late Harvey-era Navajo cuff centers on a classic trio of domed turquoise cabochons, arranged in graduated order with a clear central focus. The exquisite stones span the green palette, creating a color story closely associated with Cerrillos deposits, long prized for their rich hues and natural variation. Their high-luster surface and exceptionally preserved condition give the bracelet a refined presence.

The silverwork is restrained but assured. A heavy-gauge twisted flat-wire shank gives the cuff structure and tactile movement, while two small hand-chased eagle appliqués flank the side stones with quiet symmetry. With a 1" face and a high profile, this cuff has presence without becoming oversized. It's an elegant choice as a stand-alone or for layered pairings. Timeless and quietly expressive, it reflects the subtle confidence of mid-century Native American silverwork.

Hallmark & Maker Notes:

This bracelet is unsigned and carries no silver purity stamp, a practice consistent with the norm of the period. The absence of a maker's mark is also common in pre-1970s silversmithing, when pieces were made for tourists, trading posts, and curio markets, with an emphasis on designs, wearability, and production rather than individual maker identification.

The attribution is based on the bracelet’s overall language. The three-stone layout, measured ornament, wearable proportion, and controlled design are elements associated with late Harvey-era silverwork created for understated sophistication rather than authorship. 

At a Glance:

Heavy sterling silver Navajo cuff with commanding turquoise centerpiece
Turquoise cabochon consistent with Morenci material
Stamped leaves & twisted wire frame add a strong traditional profile
Collector-oriented cuff built around a high-impact stone

Bracelet Features:

• .925 sterling silver
• Saturated blue turquoise with dark brown matrix & pyrite
• Clean, heavy silver construction with bold split shank 
• Smooth bezel framed with twisted wire
• Crisp crescent stamps applied to leaf motifs 
• Unsigned hand-fabrication associated with Navajo silversmithing
• Condition: Very Fine — see SCJ Vintage Condition Guide

Bracelet Specifications:

• Wear scale: substantial presence with balanced proportions 
• Turquoise: 2 3/16" x 1 3/8" (bezel to bezel)
• Face width: 2 5/8"
• Inside length: 5 1/4"
• Gap: 7/8”
• Total inside circumference: 6 1/8” (S per SCJ size guide)
• Weight: 105 grams 
  

ABOUT THIS PIECE:

This substantial Native American cuff centers on a 98-carat turquoise cabochon associated with the Morenci mine based on its vivid blue color, matrix patterning, and pyrite-bearing character. Under that attribution, the material would have been mined before 1984 from one of the Southwest’s most storied and increasingly scarce turquoise sources. 

The setting is bold without feeling crowded. A twisted wire bezel draws the eye inward, while a smooth outer border keeps the frame clean and in harmony with the cabochon's active patterning. Large leaf appliqués at the shoulders introduce a traditional Southwestern note and give the mount a more sculptural outline without competing with the stone.

Crafted from heavy-gauge silver, the cuff is built with an open split shank for a balanced profile on the wrist. At 105 grams, it has the kind of weight collectors expect from a serious vintage cuff (likely 1970s-1980s), pairing statement scale with controlled proportions.

PERFECT FOR:

• Collectors of American turquoise jewelry
• Anyone who appreciates turquoise with strong patterns and pyrite 
• Curated bracelet groupings anchored by a central statement cuff
• Bench-fabricated Southwestern Native American silverwork 

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At a Glance

Design: Native American graduated Navajo pearl necklace with oversized sterling saucer beads, and classic chased petal decoration
Stone: None
Color: Satin sterling silver finish with moderate patina
Accent: Fluted terminal beads, fitted spacers below the cones, and hand-chased decoration
Metal: .925 sterling silver (unmarked)
Attribution: Consistent with Navajo work
Era: Late 20th century
Status: Unsigned and unstamped vintage sterling Navajo pearl necklace with period-appropriate construction
Condition: Very Fine — see SCJ Vintage Condition Guide

Specifications

• Wear scale: opera length — falls at or below the bust on most wearers
• Center bead size: 25 mm, approx. 1"
• Graduated bead range: 10–25 mm, strung on vinyl-coated wire core
• Length: 30 1/2" including clasp
• Clasp: traditional hook-and-eye clasp
• Weight: 161.8 grams — substantial for a strand of this length

Gallery Note: 

This Native American Navajo pearl necklace follows the long, graduated strand format that became especially favored in the late twentieth century, when silversmiths emphasized balanced proportions and substantial silver weight. The strand builds visually into a single oversized center bead, then tapers evenly toward the terminals so the necklace reads as one continuous line rather than a sequence of parts.

Each piece was formed from sterling sheet, soldered into a hollow structure, and finished into a flattened lentil profile with seams that nearly disappear into the curvature. Decoration appears as petal-like chased motifs that travel from the seam toward the drill hole, following the contour of the bead. The pattern adds gentle movement while preserving the visual continuity of the strand.

Silver bead necklaces became part of Navajo metalwork in the late nineteenth century as silversmithing techniques spread throughout the Southwest. By the early twentieth century, hollow sterling spheres were commonly worn both as adornment and as portable silver wealth.

Today, substantial strands like this remain a clear expression of Navajo silverwork—durable, elegant, and timeless in both construction and wear.

Hallmark & Maker Notes

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At a Glance: 

Design: Native American turquoise cluster squash blossom necklace with bell-shaped blossoms
Stone: Natural turquoise snake-eye cabochons
Color: Polychrome turquoise in sky-blue, robin’s egg blue, and celadon greens
Accent: Distinctive bell-shaped blossoms with stones framing each opening
Metal: .925 sterling silver (unmarked)
Artist: Attributed to Bernard Bowekaty | Zuni artist
Era: Circa 1940s–1960s
Status: Unsigned and unstamped mid-century Zuni squash blossom necklace
Condition: Very Fine — see SCJ Vintage Condition Guide

Specifications: 

• Wear scale: opera length — rests at the bust on most wearers and spans the upper chest
  
• Naja: 2" x 1 7/8"
  
• Blossom length: approx. 1 1/4"
• Beads: approx. 6 mm, strung on double-wire 
• Total length (including clasp): 25" 
• Clasp: hook and eye
• Weight: 111.8 grams

Gallery Note:

This mid-century Zuni squash blossom necklace is built around finely arranged snake-eye cabochons. The varied turquoise palette gives the piece a subtle polychrome rhythm across the blossoms and naja, introducing beautiful tonal shifts without overwhelming the refined, delicate stonework.

The bell-shaped blossoms are central to the Bernard Bowekaty attribution, as they are a recognized signature design in his documented work. The sawtooth bezels, tight stone placement, balanced symmetry, and restrained sterling structure reinforce this association. The ensemble keeps the focus on the turquoise spread while highlighting the precision of traditional Zuni cluster work.

The traditional seamed, bench-made silver beads are individually formed, displaying the slight organic variation prized by collectors of vintage Native American jewelry. While the current double-wire stringing is period-appropriate, professional restringing on foxtail chain could be considered to give this 111.8-gram necklace a smoother drape on the chest.

Hallmark & Maker Notes:

This necklace is unsigned, which is common for Zuni work of this era. The attribution to Bernard Bowekaty rests on the distinctive, hand-fabricated bell-shaped blossom forms with tiny stone settings framing each opening—a signature design element documented in mid-century Zuni lapidary history.

Bernard Bowekaty is identified in gallery references and Native American jewelry literature as a Zuni artist active from the 1940s through the 1970s. Hallmark references associate his signed work with back-to-back BB initials followed by ZUNI. Although recognized for refined, harmonious lapidary compositions, the sterling bell-blossoms remain his most identifiable element, allowing SCJ to present this attribution based on clear visual and technical lineage.

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At a Glance:

Design: Native American bear claw sterling pendant with turquoise, coral, and intricate silverwork
Stone: Turquoise cabochon consistent with Kingman material
Color: Saturated sky-blue turquoise with minimal matrix
Secondary Stone(s): Two small red-orange coral accents
Accent: Layered wirework, chased leaves, and flower appliqués
Metal: .925 sterling silver
Artist: Signed J.M. | Navajo silversmith under active research
Era: Late 20th century
Status: Vintage Native American jewelry piece with partially faded hallmark
Condition: Very Fine — see SCJ Vintage Condition Guide

Specifications:

• Wear scale: mid-size pendant (chain not included)
• Turquoise: 5/16" x 5/16" (bezel to bezel)
• Width:  1 1/4"
• Total length (including the bail): 2 1/4"
  
• Bail: compact, best suited for fine to medium weight chain
• Weight: 13.1 grams

Gallery Note:

This Native American bear claw pendant brings together symbolic strength, saturated color, and detailed silverwork in a compact yet commanding form. A vivid sky-blue turquoise cabochon anchors the upper center, framed by curling wirework and layered sterling silver appliqué, while two red-orange coral accents introduce warmth beneath the stone.

The turquoise-and-coral contrast gives the pendant a classic Southwestern presence, while the genuine bear claw adds visual weight and traditional collector interest. Its mid-size scale keeps the piece wearable, but the layered silverwork, strong materials, and symbolic form give it a bold presence beyond its size.

Compact yet expressive, this pendant reflects the appeal of vintage Native American jewelry with strong visual character, meaningful materials, and construction details consistent with Navajo work.

Hallmark & Maker Notes:

The reverse bears a partially faded hallmark that appears to read “J.M.” beside a clear STERLING stamp. The maker remains under active research, as the mark has not yet been conclusively matched to a single documented silversmith.

The Navajo attribution is based on the pendant’s genuine bear claw element, sterling silverwork, turquoise-and-coral arrangement, curling wire accents, layered appliqué, and overall late 20th-century Navajo jewelry vocabulary — elements consistent with Navajo work, though maker identification remains unconfirmed due to the softened hallmark.

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At a Glance: 

Squash blossom necklace by award-winning Navajo artisan Peterson Johnson
Turquoise cabochons consistent with Pilot Mountain material 
Heavy-gauge sterling silver construction
Large-scale contemporary collector example

Necklace Features:

• .925 sterling silver
• Green turquoise in olive tones and light matrix
• Hallmarked by the silversmith
• Bench-made beads strung on traditional foxtail chain
• Hook-and-eye closure
• Condition: Excellent — see SCJ Vintage Condition Guide

 Necklace Specifications: 

• Wear scale: opera length statement — rests below the bust on most wearers
• Largest turquoise: 1" x 5/8" (bezel to bezel)
• Naja: 3 1/2" x 3 1/2"
  
• Blossom length range: 1 9/16" x 1 7/8"
• Beads: 8-9 mm 
• Total length: 30" (includes clasp)
• Weight: 179.7 grams

ABOUT THIS PIECE:

To create this squash blossom necklace, Navajo silversmith Peterson Johnson selected a remarkable suite of turquoise cabochons distinguished by a green-dominant palette. The stones move through layered tones of olive and moss with deeper forest hues and occasional flashes of lighter green and blue—traits most often associated with Pilot Mountain turquoise. Although Royston district deposits can produce similar material, the color range and matrix pattern seen here most closely align with those of Pilot Mountain examples.

Expertly polished to highlight subtle variation, the stones bring depth and cohesion to the composition. Johnson’s disciplined silverwork, heavy-gauge construction, balanced proportions, and precise stone placement honor established Navajo silversmithing traditions while presenting a confident revival statement. The result is substantial, culturally rooted, and visually compelling—an exceptional collector piece defined by material quality and craftsmanship.

ARTISAN NOTE:

Peterson Johnson (Navajo), born October 2, 1956, is the son of Alice Johnson and Wilson Johnson and began silversmithing in 1976. A self-taught artist known for traditional Navajo jewelry of exceptional precision and finish, he has received numerous awards throughout the Southwest and is respected among fellow silversmiths for his meticulous craftsmanship, earning him the nickname “The Machine.” His work was exhibited at the Eight Northern Indian Pueblos Arts & Crafts Show from 1994 to 1996 and has been carried by noted Southwestern galleries, including Palms Trading Company in Albuquerque. Today, his jewelry is sought by collectors for its disciplined construction, durability, and distinctive Peterson flair.

PERFECT FOR:

• Collectors of award-winning Navajo silversmith Peterson Johnson
• Building a serious Native American squash blossom collection
• Lovers of green-dominant turquoise, especially Pilot Mountain material
• Southwestern statement styling—from gallery openings to evening wear
• Heirloom collectors seeking masterfully constructed Navajo jewelry

✨ Collectors Circle members receive a welcome offer on their first purchase.

At a Glance:

Five-stone turquoise row cuff bracelet by Navajo silversmith Guy Hoskie
Stones visually consistent with Royston district material
Intricate stampwork extending across the cuff shoulders
Balanced medium statement cuff with strong collector appeal

Bracelet Features:

• .925 sterling silver
• Five natural turquoise cabochons with blue-green & deeper green tones
  
• Deep hand-stamping & vintage revival oxidation
• Heavy-gauge sterling silver construction
• Hallmarked by the maker
• Condition: Excellent — see SCJ Vintage Condition Guide

Bracelet Specifications:

• Wear scale: medium statement cuff with pronounced presence
• Center turquoise: 1" x 1/2" (bezel to bezel)
• Face width: 7/8"
• Inside length: 5 1/2”
• Gap: 7/8”
• Total inside circumference: 6 3/8" (S per SCJ size guide)
• Weight: 63.5 grams
  

ABOUT THIS PIECE:

This signed Guy Hoskie cuff presents a five-stone turquoise composition with strong visual rhythm and clear material presence. The cabochons move through shades of blue, green, and deeper moss tones, each marked by its own matrix patterning. Rather than aiming for strict uniformity, the bracelet allows that natural variation to become part of the design, creating a Royston-associated palette with depth, contrast, and cohesion.

The silverwork is deliberate and structurally strong. Each stone is set in a smooth bezel, framed with twisted wire, and distributed across a raised outer plate, creating a subtle sense of dimension over the solid inner cuff. Deep stampwork continues through the shoulders and out to the terminals, extending the visual interest well beyond the central setting. The result is a controlled surface work that supports the stones and gives the bracelet a fully resolved profile from end to end, without excess.

The piece reads as confident rather than overstated. Its strength comes from proportion, surface, and material balance: substantial silver, well-chosen turquoise, and stampwork used with purpose. For collectors of signed Navajo jewelry, it offers the combination that matters most—strong stones, convincing structure, and a fully integrated design.

ARTISAN NOTE:

Guy Hoskie is a Navajo silversmith whose work is associated with deep stampwork, substantial silver construction, and strong set-stone compositions. Southwestern galleries consistently identify him as Sunshine Reeves’ brother-in-law, placing him within a family circle known for heavily worked silver and bold stamp patterns. Market-circulated biographies also suggest that he learned the craft from or alongside relatives, especially Sunshine Reeves and Andy Cadman.

Other biographical details repeated across dealer and gallery sources remain unverified. These include claims that he worked for the Navajo Tribe in Window Rock from 1975 to 2000 while making jewelry on the side, became a full-time artisan in the early 1990s, was born in 1952, was born in Fort Defiance, Arizona, later lived in Window Rock, and had family and military ties noted in dealer biographies. These points may offer useful directions for future research, but they should not be treated as independently confirmed.

PERFECT FOR:

• Collectors of signed Navajo silverwork with strong stampwork traditions
• Royston turquoise collections focused on natural color variation
• Curated bracelet groupings anchored by a central statement cuff
• Anyone who appreciates substantial, bench-fabricated Southwestern silverwork 

✨ Collectors Circle members receive a welcome offer on their first purchase.