{"title":"$200 and above","description":"","products":[{"product_id":"navajo-pilot-mountain-turquoise-squash-blossom-peterson","title":"Native American Navajo Green Pilot Mountain Turquoise Squash Blossom Sterling Silver Necklace by P. JOHNSON","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSquash blossom necklace by award-winning Navajo artisan Peterson Johnson\u003cbr data-start=\"186\" data-end=\"189\"\u003eTurquoise cabochons consistent with Pilot Mountain material \u003cbr data-start=\"234\" data-end=\"237\"\u003eHeavy-gauge sterling silver construction\u003cbr data-start=\"320\" data-end=\"323\"\u003eLarge-scale contemporary collector example\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eNecklace Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eGreen turquoise in olive tones and light matrix\u003c\/li\u003e\n\u003cli\u003eHallmarked by the silversmith\u003c\/li\u003e\n\u003cli\u003eBench-made beads strung on traditional foxtail chain\u003c\/li\u003e\n\u003cli\u003eHook-and-eye closure\u003c\/li\u003e\n\u003cli\u003eCondition: Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cstrong\u003eNecklace Specifications: \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: opera length statement — rests below the bust on most wearers\u003c\/li\u003e\n\u003cli\u003eLargest turquoise: 1\" x 5\/8\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eNaja: 3 1\/2\" x 3 1\/2\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlossom length range: 1 9\/16\" x 1 7\/8\"\u003c\/li\u003e\n\u003cli\u003eBeads: 8-9 mm \u003c\/li\u003e\n\u003cli\u003eTotal length: 30\" (includes clasp)\u003c\/li\u003e\n\u003cli\u003eWeight: 179.7 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo create this squash blossom necklace, Navajo silversmith Peterson Johnson selected a remarkable suite of turquoise cabochons distinguished by a green-dominant palette. The stones move through layered tones of olive and moss with deeper forest hues and occasional flashes of lighter green and blue—traits most often associated with Pilot Mountain turquoise. Although Royston district deposits can produce similar material, the color range and matrix pattern seen here most closely align with those of Pilot Mountain examples.\u003c\/p\u003e\n\u003cp\u003eExpertly polished to highlight subtle variation, the stones bring depth and cohesion to the composition. Johnson’s disciplined silverwork, heavy-gauge construction, balanced proportions, and precise stone placement honor established Navajo silversmithing traditions while presenting a confident revival statement. The result is substantial, culturally rooted, and visually compelling—an exceptional collector piece defined by material quality and craftsmanship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARTISAN NOTE: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePeterson Johnson (Navajo), born October 2, 1956, is the son of Alice Johnson and Wilson Johnson and began silversmithing in 1976. A self-taught artist known for traditional Navajo jewelry of exceptional precision and finish, he has received numerous awards throughout the Southwest and is respected among fellow silversmiths for his meticulous craftsmanship, earning him the nickname “The Machine.” His work was exhibited at the Eight Northern Indian Pueblos Arts \u0026amp; Crafts Show from 1994 to 1996 and has been carried by noted Southwestern galleries, including Palms Trading Company in Albuquerque. Today, his jewelry is sought by collectors for its disciplined construction, durability, and distinctive Peterson flair.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCollectors of award-winning Navajo silversmith Peterson Johnson\u003c\/li\u003e\n\u003cli\u003eBuilding a serious Native American squash blossom collection\u003c\/li\u003e\n\u003cli\u003eLovers of green-dominant turquoise, especially Pilot Mountain material\u003c\/li\u003e\n\u003cli\u003eSouthwestern statement styling—from gallery openings to evening wear\u003c\/li\u003e\n\u003cli\u003eHeirloom collectors seeking masterfully constructed Navajo jewelry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44095785500869,"sku":"00004NEMNJ11849","price":4345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130082.webp?v=1776524536"},{"product_id":"snake-coral-cluster-squash-necklace-effie","title":"Native American Zuni Coral Cluster Snake Squash Blossom Sterling Silver Necklace by E. CALAVAZA","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eZuni squash blossom necklace hallmarked \"Effie C. Zuni.\"\u003cbr data-start=\"278\" data-end=\"281\"\u003eSterling silver coral design with flat-head snake naja\u003cbr data-start=\"343\" data-end=\"346\"\u003eTraditional Zuni snake motif with inlaid detailing\u003cbr data-start=\"396\" data-end=\"399\"\u003eVintage collector-level necklace\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNecklace Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eSet red-orange corals \u0026amp; inlaid coral snake eyes\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBench-made beads strung on chain\u003c\/li\u003e\n\u003cli\u003eHook-and-eye closure\u003c\/li\u003e\n\u003cli\u003eHallmarked with family stamp\u003c\/li\u003e\n\u003cli\u003eCondition: Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNecklace Specifications: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: matinee length per SCJ size guide — naja pendant rests above the bust \u003c\/li\u003e\n\u003cli\u003eCorals: 1\/4\" x 1\/4\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eNaja pendant: 2 3\/8\" x 2 5\/16\"\u003c\/li\u003e\n\u003cli\u003eBlossom length: approx. 1 1\/8\"\u003c\/li\u003e\n\u003cli\u003eBead diameter: 6-7 mm\u003c\/li\u003e\n\u003cli\u003eTotal length (including clasp): 23\"\u003c\/li\u003e\n\u003cli\u003eWeight: 96.6 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"388\" data-end=\"712\"\u003eThis Native American coral squash blossom necklace reflects the distinctive design language associated with Effie Calavaza and the Calavaza family workshop. Known for the flat-head snake motif that winds around turquoise or coral stones, the family developed one of the most recognizable visual vocabularies in Zuni jewelry.\u003c\/p\u003e\n\u003cp data-start=\"714\" data-end=\"1034\"\u003eHere, the snakes coil around vivid red-orange coral cabochons, carrying the motif across the necklace with strong visual rhythm from blossom to naja. Their small, inlaid coral eyes add a precise, labor-intensive detail that sharpens the character of the design and has become closely associated with Calavazas.\u003c\/p\u003e\n\u003cp data-start=\"1036\" data-end=\"1330\"\u003eHandcrafted in sterling silver, this classic squash blossom form brings together sculptural silverwork, bold color contrast, and a motif-driven composition with lasting collector appeal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARTISAN NOTE: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"77\" data-end=\"524\"\u003eEffie Calavaza (1928-2019) remains one of the best-known names in Zuni jewelry. She began silversmithing in the mid-1950s after learning the craft from her husband, Juan Calavaza, and is generally understood to have remained active into the mid-1970s. Working primarily in sand-cast sterling silver, she became known for nugget design and for surrounding large turquoise and coral stones with her now-iconic snake motif, a visual signature closely associated with her work.\u003c\/p\u003e\n\u003cp data-start=\"526\" data-end=\"887\"\u003eCalavaza received recognition for her artistry at the Inter-Tribal Indian Ceremonial in Gallup, New Mexico, and her jewelry has been represented by respected Southwestern dealers, including Richardson Trading Company of Gallup, New Mexico. Her pieces are typically stamped with the mark \"EFFIE C. ZUNI,\" a hallmark also used within the Calavaza family workshop.\u003c\/p\u003e\n\u003cp data-start=\"889\" data-end=\"1205\"\u003eA widely collected artist, Effie Calavaza’s work helped define a distinctive style within Zuni silversmithing. Her legacy continues through her daughters—Georgiana Yatsattie, Gloria Jean Garcia, and Susie Calavaza—who also became jewelers and carried forward the family’s celebrated design tradition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCollectors of Calavaza workshop pieces\u003c\/li\u003e\n\u003cli\u003eThose drawn to snake-themed jewelry\u003c\/li\u003e\n\u003cli\u003eCompact squash blossoms with visual impact\u003c\/li\u003e\n\u003cli\u003eBuilding a coordinated vintage ensemble\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase. \u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44097114865861,"sku":"00002NEMNJ1219","price":3273.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130022.webp?v=1776524592"},{"product_id":"green-turquoise-squash-blossom-necklace-bracelet-set","title":"1970s Emerald Green Turquoise Squash Blossom Sterling Silver Necklace \u0026 Bracelet Set by Navajo Artist D. HARRISON","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003eCollectors Circle members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"20\" data-end=\"377\"\u003e\u003cstrong data-end=\"27\" data-start=\"16\"\u003eDesign:\u003c\/strong\u003e Native American squash blossom necklace and matching two-stone cuff bracelet set with large-scale silverwork, repeating flared blossom forms, and an eight-stone naja\u003cbr data-is-only-node=\"\" data-end=\"196\" data-start=\"193\"\u003e\u003cstrong data-end=\"206\" data-start=\"196\"\u003eStone:\u003c\/strong\u003e Turquoise cabochons consistent with King’s Manassa material\u003cbr data-end=\"269\" data-start=\"266\"\u003e\u003cstrong data-end=\"279\" data-start=\"269\"\u003eColor:\u003c\/strong\u003e Teal, light green, and emerald green turquoise with golden-brown host rock\u003cbr data-end=\"357\" data-start=\"354\"\u003e\u003cstrong data-end=\"368\" data-start=\"357\"\u003eAccent:\u003c\/strong\u003e Chased wing, leaf, and silver drop details on the cuff\u003cbr data-end=\"426\" data-start=\"423\"\u003e\u003cstrong data-end=\"436\" data-start=\"426\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-end=\"460\" data-start=\"457\"\u003e\u003cstrong data-end=\"471\" data-start=\"460\"\u003eArtist:\u003c\/strong\u003e Signed DH | Douglas Harrison, Navajo silversmith\u003cbr data-end=\"523\" data-start=\"520\"\u003e\u003cstrong data-end=\"531\" data-start=\"523\"\u003eEra:\u003c\/strong\u003e Circa 1970s\u003cbr data-end=\"546\" data-start=\"543\"\u003e\u003cstrong data-end=\"557\" data-start=\"546\"\u003eStatus:\u003c\/strong\u003e Signed vintage Navajo squash blossom and cuff set from a finished studio period, conceived as a matching ensemble\u003cbr data-end=\"674\" data-start=\"671\"\u003e\u003cstrong data-end=\"688\" data-start=\"674\"\u003eCondition:\u003c\/strong\u003e Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eNecklace Specifications: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: substantial, matinee length per SCJ size guide — rests below the bust line on most wearers\u003c\/li\u003e\n\u003cli\u003eLargest stone: 11\/16\" x 1 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eNaja pendant: 3\" x 3 5\/8\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlossom length range:  1 1\/8\" - 2 1\/2\"\u003c\/li\u003e\n\u003cli\u003eBead form: traditional seamed bench-made Navajo beads\u003cspan\u003e strung on \u003c\/span\u003ewire\u003c\/li\u003e\n\u003cli\u003eBead diameter: 8-9 mm\u003c\/li\u003e\n\u003cli\u003eTotal length (including clasp): 28\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClasp: hook and eye\u003c\/li\u003e\n\u003cli\u003eWeight: 299.4 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eBracelet Specifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: statement cuff presence with broad face and balanced stone scale\u003c\/li\u003e\n\u003cli\u003eLargest turquoise: 1\" x 1 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 2 7\/8\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 3\/16\"\u003c\/li\u003e\n\u003cli\u003eGap: 1\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 3\/16” (S per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 85.6 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:  \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"21\" data-end=\"380\"\u003eThis vintage Navajo squash blossom necklace and matching cuff set has a bold, commanding presence. Built in substantial scale, the ensemble is defined by heavy-gauge silverwork, hand-fabricated and hand-assembled elements, square-cut flared blossoms, bench-made beads, and a powerful eight-stone naja that anchors the necklace with unmistakable visual weight.\u003c\/p\u003e\n\u003cp data-start=\"382\" data-end=\"795\"\u003eThe turquoise shows soft emerald, teal, and blue-green notes broken by warm golden-brown host rock. Its color and matrix are consistent with King’s Manassa material, though comparable material can also be found in Nevada. As with most historic turquoise, the mine identification is observational, and the precise origin is confirmed only with sourcing documentation or laboratory analysis.\u003c\/p\u003e\n\u003cp data-start=\"797\" data-end=\"1164\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe cuff carries the necklace’s palette into a dramatic wrist form, pairing two cabochons with applied silver details that connect the pieces without making them feel overly matched. Worn together, they create a commanding signed Navajo statement for collectors drawn to generous turquoise, substantial handmade construction, and high-impact Western heritage jewelry.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2850\" data-end=\"3147\"\u003eJewelry bearing the DH hallmark is associated in the vintage market with Navajo silversmith Douglas Harrison. Signed works surface primarily through estate and vintage circulation and are recognized for substantial gauge, generous turquoise use, and strong late twentieth-century presence.\u003c\/p\u003e\n\u003cp data-start=\"3149\" data-end=\"3522\"\u003eAs with many working silversmiths of the period, formal biographical documentation can be limited. This attribution rests on hallmark consistency and comparison across documented examples. Existing pieces represent completed studio production rather than an active contemporary line, making matched necklace-and-cuff sets notably less common than individual works.\u003c\/p\u003e\n\u003cp data-start=\"3149\" data-end=\"3522\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"3149\" data-end=\"3522\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44100427743429,"sku":"00001NEMBR2NJ11538","price":5315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9080020.webp?v=1776524608"},{"product_id":"elouise-kee-navajo-green-royston-turquoise-bracelet","title":"Solid Sterling Silver Native American Navajo Dark Green Royston Turquoise Cuff Bracelet by E. KEE","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy 114 grams Navajo turquoise \u0026amp; sterling cuff signed Elouise Kee\u003cbr data-end=\"66\" data-start=\"63\"\u003eDark green turquoise consistent with Royston district material\u003cbr data-end=\"136\" data-start=\"133\"\u003eKee's signature negative space design\u003cbr data-end=\"211\" data-start=\"208\"\u003eCollector example with a unique single stone design \u0026amp; disciplined profile\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eDeep green cabochon with mossy tones and pale tan matrix\u003c\/li\u003e\n\u003cli\u003eCutout shadowbox face \u003c\/li\u003e\n\u003cli\u003eBeadwire framing, chasing, and stampwork\u003c\/li\u003e\n\u003cli\u003eWide tapered cuff in heavy-gauge sterling silver\u003c\/li\u003e\n\u003cli\u003eHallmarked by the silversmith\u003c\/li\u003e\n\u003cli\u003eCondition: Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: substantial weight with balanced proportions\u003c\/li\u003e\n\u003cli\u003eTurquoise: 1 13\/16\" x 1 1\/8\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 2 1\/2\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 1\/2\"\u003c\/li\u003e\n\u003cli\u003eGap: 1 5\/16\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 13\/16\" (M per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 114.8 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis commanding Native American cuff centers on a dark green turquoise cabochon with forest and mossy tones surrounding islands of pale tan matrix. The color palette is deeper and moodier than the brighter blue and green material more often associated with the Royston district, giving the stone a different kind of presence — richer, earthier, and more grounded. Its size and saturated body color make it a very strong visual anchor.\u003c\/p\u003e\n\u003cp\u003eAround the stone, the design is organized with precision. A smooth bezel, framed by beadwire, defines the cabochon, while the cutout shadowbox gives the piece an open aesthetic and creates contrast between the shiny silver planes and the recessed negative space. The cutout work— an element often associated with Elouise Kee’s signature style — and the radiating chased lines and stampwork guide the eye outward from the center, drawing attention to the maker's skilled silverwork.\u003c\/p\u003e\n\u003cp\u003eThe shank is built from heavy-gauge sterling silver and adorned with oversized flanking forms that give the mount a structured, almost architectural rhythm without overwhelming the stone. At 114.8 grams, it has the substance prized by many collectors of vintage Native work, with a profile that remains composed without excess.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARTISAN NOTE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable reference material identifies Elouise Kee as a Navajo silversmith associated with Gallup, New Mexico, and as married to Eugene Belone, whom she is described as having taught the craft of jewelry making and silversmithing. Jewelry attributed to Kee is admired for refined sterling silverwork, crisp detail, and carefully selected turquoise, including material represented as Kingman and Royston. Her work reflects a confident design voice grounded in traditional Navajo silversmithing, balancing strong form with measured ornament. Family information published in Gerald Gene Belone’s January 2025 obituary names Elouise Kee and Gene Belone as his parents, confirming that she was living at least as of early 2025. The obituary also notes that Gerald was preceded in death by his brother, Dewayne Belone, suggesting additional family loss, though such details should be treated with care beyond the obituary itself. While we have not located a definitive public source confirming her current production status, her jewelry continues to appear in recent market offerings, reflecting ongoing visibility and collector interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"2999\" data-end=\"3036\"\u003eCollectors of signed Navajo cuffs\u003c\/li\u003e\n\u003cli data-start=\"3037\" data-end=\"3087\"\u003eTurquoise enthusiasts drawn to green cabochons\u003c\/li\u003e\n\u003cli data-start=\"3088\" data-end=\"3164\"\u003eCollections focused on statement silverwork\u003c\/li\u003e\n\u003cli data-start=\"3165\" data-end=\"3226\"\u003eElevated Western attire, denim, black, and earth-toned wardrobes\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003eCollectors Circle members receive a welcome offer on their first purchase. \u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44155877753029,"sku":"00013BR1NJ","price":1488.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9280108.webp?v=1776524633"},{"product_id":"navajo-yei-naja-silver-dollar-mercury-dime-bead-necklace","title":"1960s-70s Native American Navajo Yei Naja \u0026 Peace Silver Dollar Coins Mercury Dime Bead Squash Blossom Necklace","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"158\" data-end=\"391\"\u003eNative American coin squash blossom necklace consistent with Navajo work\u003cbr data-start=\"195\" data-end=\"198\"\u003eBeads formed from paired Mercury dimes\u003cbr data-start=\"245\" data-end=\"248\"\u003ePeace silver dollar coin blossoms\u003cbr data-start=\"298\" data-end=\"301\"\u003eYei naja with turquoise cabochons\u003cbr data-start=\"344\" data-end=\"347\"\u003eHeavy-gauge coin silver construction\u003cbr data-start=\"195\" data-end=\"198\"\u003eA strong collector’s example of Navajo coin jewelry\u003c\/p\u003e\n\u003cp data-start=\"158\" data-end=\"391\"\u003e\u003cstrong\u003eNecklace Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eU.S. silver coin construction (Mercury dimes \u0026amp; Peace dollars)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSlightly domed Peace silver dollar coins (1922–1925)\u003c\/li\u003e\n\u003cli\u003eCoin beads assembled on chain, likely reflecting a later restringing\u003c\/li\u003e\n\u003cli\u003eTurquoise cabochons in blue-green tones\u003c\/li\u003e\n\u003cli\u003eYei motif\u003c\/li\u003e\n\u003cli\u003eCast naja consistent with sand-cast construction\u003c\/li\u003e\n\u003cli\u003eTraditional hook-and-eye closure\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCondition: Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNecklace Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: bold matinee length per SCJ size guide — falls at the bust line\u003c\/li\u003e\n\u003cli\u003eNaja pendant: 2 1\/2\" x 2 1\/16\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCoin blossom diameter: approx. 1 1\/2\"\u003c\/li\u003e\n\u003cli\u003eBead diameter: approx. 16 mm\u003c\/li\u003e\n\u003cli\u003eTotal length (including clasp): 24 3\/4\"\u003c\/li\u003e\n\u003cli\u003eWeight: 436.9 grams \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1107\" data-end=\"1444\"\u003eThis Native American squash blossom necklace reflects the coin-silver tradition long associated with Navajo silversmithing during the mid-twentieth century. Acquired as old pawn, the piece no longer retained its original pawn tag when it came into our possession. The style likely dates to the 1960s–1970s, based on construction, weight, and overall design character.\u003c\/p\u003e\n\u003cp data-start=\"1107\" data-end=\"1444\"\u003eThe strand is composed of paired Mercury dimes, domed and joined to create hollow silver beads that preserve visible traces of the original coin design. Formed and assembled by hand, these elements show natural variation in symmetry, reinforcing the work's individuality.\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1728\"\u003eSuspended throughout the strand are slightly domed Peace silver dollar coins dating from the early to mid-1920s. Their scale interrupts the rhythm of the beadwork and recalls a coin-jewelry tradition in which historic American silver was reworked into substantial wearable form.\u003c\/p\u003e\n\u003cp data-start=\"1730\" data-end=\"2049\"\u003eAt the center hangs a cast Yei naja set with small turquoise cabochons. The pendant draws on Yei imagery associated with Navajo ceremonial traditions, adding a symbolic dimension to the composition.\u003c\/p\u003e\n\u003cp data-start=\"2051\" data-end=\"2283\"\u003eWith its considerable weight, historic coin materials, and a centerpiece rooted in heritage, this necklace stands as a strong collector’s example of Navajo coin jewelry—sculptural in presence and grounded in time-honored Southwestern silversmithing practices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCollectors of vintage Navajo coin jewelry\u003c\/li\u003e\n\u003cli\u003eThose seeking bold historic silver statement pieces\u003c\/li\u003e\n\u003cli\u003eSouthwestern heritage collections\u003c\/li\u003e\n\u003cli\u003eLayering with turquoise necklaces and additional silver strands\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eCollectors Circle members receive a welcome offer on their first purchase.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44156000239813,"sku":"00006NE3NJ10478","price":2976.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130002.webp?v=1776524646"},{"product_id":"gilbert-damon-navajo-turquoise-bracelet","title":"Navajo Spiderweb Indian Mountain Turquoise Sterling Silver Cuff Bracelet by G. DAMON","description":"\u003cp style=\"text-align: center;\" data-section-id=\"13hjq2b\" data-start=\"131\" data-end=\"145\"\u003e✨ Collectors Circle Members receive a welcome offer on their first purchase.\u003c\/p\u003e\n\u003ch2 data-section-id=\"13hjq2b\" data-start=\"131\" data-end=\"145\"\u003e\u003cstrong\u003eAt a Glance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"147\" data-end=\"799\"\u003e\u003cstrong data-start=\"147\" data-end=\"158\"\u003eDesign:\u003c\/strong\u003e Native American signed spiderweb turquoise cuff bracelet with clean three-tine Navajo construction and a stone-forward face\u003cbr data-start=\"282\" data-end=\"285\"\u003e\u003cstrong data-start=\"285\" data-end=\"295\"\u003eStone:\u003c\/strong\u003e Spiderweb turquoise cabochon consistent with Indian Mountain\u003cbr data-start=\"388\" data-end=\"391\"\u003e\u003cstrong data-start=\"391\" data-end=\"401\"\u003eColor:\u003c\/strong\u003e Soft green and faint teal cells moving through dark brown host rock\u003cbr data-start=\"469\" data-end=\"472\"\u003e\u003cstrong data-start=\"472\" data-end=\"483\"\u003eAccent:\u003c\/strong\u003e Decorative segmented outer border\u003cbr data-start=\"555\" data-end=\"558\"\u003e\u003cstrong data-start=\"558\" data-end=\"568\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver (unmarked)\u003cbr data-start=\"589\" data-end=\"592\"\u003e\u003cstrong data-start=\"592\" data-end=\"603\"\u003eArtist:\u003c\/strong\u003e Signed G | Gilbert Damon, Navajo silversmith\u003cbr data-start=\"645\" data-end=\"648\"\u003e\u003cstrong data-start=\"648\" data-end=\"656\"\u003eEra:\u003c\/strong\u003e Late 20th century (1970-80s)\u003cbr data-start=\"674\" data-end=\"677\"\u003e\u003cstrong data-start=\"677\" data-end=\"688\" data-is-only-node=\"\"\u003eStatus:\u003c\/strong\u003e Signed Navajo spiderweb turquoise cuff bracelet\u003cbr data-start=\"736\" data-end=\"739\"\u003e\u003cstrong data-start=\"739\" data-end=\"753\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"s9xt1d\" data-start=\"801\" data-end=\"827\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"829\" data-end=\"1127\"\u003e\n\u003cli data-section-id=\"2hcof5\" data-start=\"829\" data-end=\"927\"\u003eWear scale: visually bold cuff with a comfortable open fit and strong centerpiece presence\u003c\/li\u003e\n\u003cli data-section-id=\"1nkiq6g\" data-start=\"928\" data-end=\"980\"\u003eStone: 1 5\/8\" x 1 5\/16\" (bezel to bezel)\u003c\/li\u003e\n\u003cli data-section-id=\"1k9wr0m\" data-start=\"981\" data-end=\"1007\"\u003eFace width: 1 7\/8\"\u003c\/li\u003e\n\u003cli data-section-id=\"1h1vwj3\" data-start=\"1008\" data-end=\"1037\"\u003eInside length: 5 1\/4\"\u003c\/li\u003e\n\u003cli data-section-id=\"1s3yjfh\" data-start=\"1038\" data-end=\"1057\"\u003eGap: 1 1\/4\"\u003c\/li\u003e\n\u003cli data-section-id=\"18omc2z\" data-start=\"1058\" data-end=\"1100\"\u003eTotal inside circumference: 6 1\/2\"\u003c\/li\u003e\n\u003cli data-section-id=\"jjdig\" data-start=\"1101\" data-end=\"1127\"\u003eWeight: 60.8 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"z9w15p\" data-start=\"1129\" data-end=\"1144\"\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis signed Navajo cuff is defined by its turquoise: a richly webbed cabochon with teal-green cells moving through dark brown host rock. A complex and yet well-balanced matrix, with enough open green ground for the stone to read clearly and hold its presence on the wrist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDamon’s silverwork keeps the setting clean and focused. A sawtooth bezel secures the cabochon and adds fine texture at the edge, while the stepped geometric border gives the face structure without crowding the stone. The three-tine shank is smooth, open, and deliberately understated, letting the turquoise remain the center of the design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eReference and market examples more commonly associate Damon with chip inlay, making this large bezel-set spiderweb turquoise cuff a less common example of his documented range. For collectors, that contrast adds to its appeal — a signed Damon Gilbert in a stone-forward setting with restrained Navajo construction is a rare find. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollector-minded without excess, this cuff earns its presence through the character of the stone and the clarity of the silverwork design.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"1xvxpws\" data-start=\"2047\" data-end=\"2072\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis bracelet is signed with Gilbert Damon's hallmark — a stylized capital G, also associated in reference materials with the initials GD. His angular initial signature is reported to have been introduced around 1975, supporting the late-20th-century placement of this piece.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDamon was born June 20, 1930, in Fort Defiance, Arizona, into the Tsi'naajinii (Black Streak Wood People Clan), born for Tódich'ii'nii (Bitter Water Clan). He attended BIA Indian School in Fort Defiance, the Albuquerque Indian School, and Chilocco Indian School in Chilocco, Oklahoma.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHe served in the Korean War — one of approximately 10,000 Native Americans who answered that call, many of them veterans of World War II as well, whose service and sacrifice remain an enduring part of this nation's history. He later spent 20 to 25 years employed with the Navajo Forest Products Industry in the Sawmill region in Arizona. He was a silversmith and family man who loved his children. He passed away on April 15, 2016, in Payson, Arizona.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReference materials and market examples most commonly document Damon's work in chip inlay — crushed turquoise, coral, and related materials set into recessed silver channels, often with etched or oxidized geometric backgrounds. Authentic signed Damon pieces now enter the market through estate and secondary channels.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44156207038661,"sku":"00020BR1NJ11439","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9280006.webp?v=1776524646"},{"product_id":"native-american-navajo-morenci-turquoise-bracelet","title":"Heavy Sterling Silver Native American Navajo Morenci Turquoise Cuff Bracelet","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy sterling silver Navajo cuff with commanding turquoise centerpiece\u003cbr data-end=\"250\" data-start=\"247\"\u003eTurquoise cabochon consistent with Morenci material\u003cbr data-end=\"308\" data-start=\"305\"\u003eStamped leaves \u0026amp; twisted wire frame add a strong traditional profile\u003cbr data-end=\"417\" data-start=\"414\"\u003eCollector-oriented cuff built around a high-impact stone\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eSaturated blue turquoise with dark brown matrix \u0026amp; pyrite\u003c\/li\u003e\n\u003cli\u003eClean, heavy silver construction with bold split shank \u003c\/li\u003e\n\u003cli\u003eSmooth bezel framed with twisted wire\u003c\/li\u003e\n\u003cli\u003eCrisp crescent stamps applied to leaf motifs \u003c\/li\u003e\n\u003cli\u003eUnsigned hand-fabrication associated with Navajo silversmithing\u003c\/li\u003e\n\u003cli\u003eCondition: Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: substantial presence with balanced proportions \u003c\/li\u003e\n\u003cli\u003eTurquoise: 2 3\/16\" x 1 3\/8\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 2 5\/8\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 1\/4\"\u003c\/li\u003e\n\u003cli\u003eGap: 7\/8”\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 1\/8” (S per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 105 grams \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"110\" data-end=\"529\"\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003eThis substantial Native American cuff centers on a 98-carat turquoise cabochon associated with the Morenci mine based on its vivid blue color, matrix patterning, and pyrite-bearing character. Under that attribution, the material would have been mined before 1984 from one of the Southwest’s most storied and increasingly scarce turquoise sources. \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-8\" data-turn-id=\"request-WEB:b0e25614-63fb-4865-a405-77bb3e7343b3-3\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"849\" data-end=\"1218\"\u003eThe setting is bold without feeling crowded. A twisted wire bezel draws the eye inward, while a smooth outer border keeps the frame clean and in harmony with the cabochon's active patterning. Large leaf appliqués at the shoulders introduce a traditional Southwestern note and give the mount a more sculptural outline without competing with the stone.\u003c\/p\u003e\n\u003cp data-start=\"849\" data-end=\"1218\"\u003eCrafted from heavy-gauge silver, the cuff is built with an open split shank for a balanced profile on the wrist. At 105 grams, it has the kind of weight collectors expect from a serious vintage cuff (likely 1970s-1980s), pairing statement scale with controlled proportions.\u003c\/p\u003e\n\u003cp data-start=\"849\" data-end=\"1218\"\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCollectors of American turquoise jewelry\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates turquoise with strong patterns and pyrite \u003c\/li\u003e\n\u003cli\u003eCurated bracelet groupings anchored by a central statement cuff\u003c\/li\u003e\n\u003cli\u003eBench-fabricated Southwestern Native American silverwork \u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase. \u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44156313698501,"sku":"00018BR1NJ11458","price":2142.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9280052.webp?v=1776524646"},{"product_id":"marie-bahe-multi-stone-butterfly-inlay-bracelet","title":"Navajo Multi-Stone Butterfly Inlay Sterling Silver Cuff Bracelet by M. BAHE","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSigned M BAHE sterling silver butterfly cuff attributed to Marie Bahe\u003cbr data-end=\"85\" data-start=\"82\"\u003eWide mosaic-inlaid butterfly centerpiece with matching side panels\u003cbr data-end=\"146\" data-start=\"143\"\u003eVivid color contrast framed by silver beadwork\u003cbr data-end=\"331\" data-start=\"328\"\u003eNotable collector example of inlay work attributed to Marie Bahe\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eInlay work with turquoise, mother-of-pearl, coral, black and ivory-tone materials\u003c\/li\u003e\n\u003cli\u003eButterfly motif and side panels framed by beaded wire appliqué\u003c\/li\u003e\n\u003cli\u003eStrong triple-split shank construction with clean interior finish\u003c\/li\u003e\n\u003cli\u003eHallmarked by the silversmith\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCondition: Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium statement cuff\u003c\/li\u003e\n\u003cli\u003eCenterpiece inlay: 1 1\/2\" x 2\"\u003c\/li\u003e\n\u003cli\u003eFace width: 1 5\/8\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 1\/16\"\u003c\/li\u003e\n\u003cli\u003eGap: 1 1\/4\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 5\/16\" (S per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 52.3 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"992\" data-end=\"1428\"\u003eThis sterling silver cuff centers on a colorful butterfly inlaid mosaic set on a wide triple-split shank, an engaging piece that brings together a motif long appreciated in Native American culture with a Navajo interpretation of an inlay technique most closely associated with Zuni work. The matching side panels extend the mosaic design across the wrist, while beaded wire appliqués add texture and definition, complementing the piece's clean geometry. \u003c\/p\u003e\n\u003cp data-start=\"1430\" data-end=\"1850\"\u003eThe inlay combines turquoise, mother-of-pearl, coral, black stone (likely jet or onyx), and an ivory-tone material with soft orange hues, arranged in curved and angular segments. The layout is consistent with stone-on-stone inlay, a technique that requires precise cutting and fit. Smooth silver surfaces provide a restrained backdrop for the mosaic, allowing the color contrast and symmetry to carry the composition.\u003c\/p\u003e\n\u003cp data-start=\"1852\" data-end=\"2186\"\u003eThe triple-split construction gives the bracelet width\u003cstrong\u003e \u003c\/strong\u003ewhile maintaining an open, balanced feel. The combination of careful stonework, measured silverwork, and clear structure contributes to the bracelet’s collector appeal.\u003c\/p\u003e\n\u003cp data-start=\"2188\" data-end=\"2584\"\u003eSigned pieces attributed to Marie Bahe appear publicly more often in turquoise-set sterling forms than in mosaic inlay. Within that visible market record, this butterfly cuff stands out as a rarer example. Accordingly, the attribution to Marie Bahe rests solely on the maker’s mark and comparison with other pieces sold under her name, rather than on stylistic analysis.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARTISAN NOTE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"533\" data-start=\"0\"\u003eMarie Bahe is identified in available hallmark references as a Navajo maker. Public biographical information appears limited, and no reliable published source has\u003cstrong data-end=\"290\" data-start=\"130\"\u003e \u003c\/strong\u003ebeen found that directly connects her to the well-known silversmith Tom Bahe or to another documented Bahe jewelry lineage. However, the Bahe surname appears repeatedly in contexts related to Navajo jewelry, including exhibits, markets, and secondary sales platforms, suggesting that jewelry making is a recurring association among individuals who carry the name.\u003c\/p\u003e\n\u003cp data-end=\"3518\" data-start=\"3506\"\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"3518\" data-start=\"3506\"\u003eCollectors of signed Native American jewelry\u003c\/li\u003e\n\u003cli data-end=\"3518\" data-start=\"3506\"\u003eAdmirers of butterfly motifs and figural jewelry\u003c\/li\u003e\n\u003cli\u003eAnyone with an appreciation for inlay-focused jewelry\u003c\/li\u003e\n\u003cli\u003eWearing as a statement Southwestern cuff with denim, black, ivory, or other clean solid tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e✨\u003c\/span\u003e\u003c\/strong\u003eCollectors Circle members receive a welcome offer on their first purchase.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44156542582981,"sku":"00015BRMNJ9140","price":782.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130271-2.webp?v=1776524658"},{"product_id":"fred-guerro-navajo-pilot-mountain-turquoise-silver-bracelet","title":"139-Gram Native American Navajo Pilot Mountain Turquoise Sterling Silver Cuff Bracelet by F. GUERRO","description":"\u003cp style=\"text-align: center;\" data-end=\"138\" data-start=\"124\" data-section-id=\"13hjq2b\"\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"138\" data-start=\"124\" data-section-id=\"13hjq2b\"\u003e\u003cstrong\u003eAt a Glance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"809\" data-start=\"140\"\u003e\u003cstrong data-end=\"151\" data-start=\"140\"\u003eDesign:\u003c\/strong\u003e Native American signed wide turquoise cuff bracelet with heavy-gauge sterling construction, openwork sides, and crisp, measured silverwork\u003cbr data-end=\"292\" data-start=\"289\"\u003e\u003cstrong data-end=\"302\" data-start=\"292\"\u003eStone:\u003c\/strong\u003e Large turquoise cabochon consistent with Pilot Mountain material\u003cbr data-end=\"370\" data-start=\"367\"\u003e\u003cstrong data-end=\"380\" data-start=\"370\"\u003eColor:\u003c\/strong\u003e Vivid blue-green turquoise with copper-brown matrix and strong natural variation\u003cbr data-end=\"464\" data-start=\"461\"\u003e\u003cstrong data-end=\"475\" data-start=\"464\"\u003eAccent:\u003c\/strong\u003e Hand-notched bezel, stampwork, chased linear cuts, small perforations, and triangular cut-out accents\u003cbr data-end=\"580\" data-start=\"577\"\u003e\u003cstrong data-end=\"590\" data-start=\"580\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-end=\"614\" data-start=\"611\"\u003e\u003cstrong data-end=\"625\" data-start=\"614\"\u003eArtist:\u003c\/strong\u003e Signed Fred Guerro | Navajo silversmith Fred Guerro Senior\u003cbr data-end=\"668\" data-start=\"665\"\u003e\u003cstrong data-end=\"676\" data-start=\"668\"\u003eEra:\u003c\/strong\u003e Circa 1980s\u003cbr data-end=\"691\" data-start=\"688\"\u003e\u003cstrong data-is-only-node=\"\" data-end=\"702\" data-start=\"691\"\u003eStatus:\u003c\/strong\u003e Signed heavy Navajo turquoise cuff bracelet\u003cbr data-end=\"749\" data-start=\"746\"\u003e\u003cstrong data-end=\"763\" data-start=\"749\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"138\" data-start=\"124\" data-section-id=\"13hjq2b\"\u003eSpecifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli data-end=\"911\" data-start=\"839\" data-section-id=\"1db0dpl\"\u003eWear scale: large statement cuff with substantial wrist presence\u003c\/li\u003e\n\u003cli data-end=\"959\" data-start=\"912\" data-section-id=\"xyxkbj\"\u003eTurquoise: 1 3\/4\" x 1\" (bezel to bezel)\u003c\/li\u003e\n\u003cli data-end=\"990\" data-start=\"960\" data-section-id=\"1hdlarz\"\u003eFace width: approx. 2\"\u003c\/li\u003e\n\u003cli data-end=\"1020\" data-start=\"991\" data-section-id=\"1deaqsl\"\u003eInside length: 5 7\/8\"\u003c\/li\u003e\n\u003cli data-end=\"1040\" data-start=\"1021\" data-section-id=\"1tbhbwz\"\u003eGap: 1 3\/8\"\u003c\/li\u003e\n\u003cli data-end=\"1106\" data-start=\"1041\" data-section-id=\"176x8cj\"\u003eTotal inside circumference: 7 1\/4\" (L per SCJ size guide)\u003c\/li\u003e\n\u003cli data-end=\"1134\" data-start=\"1107\" data-section-id=\"1mkq8an\"\u003eWeight: 139.2 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"303\" data-start=\"17\"\u003eThis Fred Guerro cuff has the bold, disciplined presence collectors look for in late-20th-century Navajo silverwork. The large oval turquoise cabochon anchors the design with vivid blue-green color and broad copper-brown matrix, creating strong natural contrast without excess ornament.\u003c\/p\u003e\n\u003cp data-end=\"632\" data-start=\"305\"\u003eThe silverwork is measured and graphic. A hand-notched bezel frames the stone, while crisp stampwork, chased linear cuts, small perforations, and triangular openwork give the wide cuff movement, depth, and visual relief. Polished silver planes keep the composition clean, allowing the stone and construction to carry the piece.\u003c\/p\u003e\n\u003cp data-end=\"920\" data-start=\"634\"\u003eFrom the side, the bracelet reveals its architecture: a high-profile stone setting, thick tapering shank, smooth interior, and substantial gauge. At 139.2 grams, it has the weight and presence of a serious statement cuff, while the openwork keeps the design from feeling visually heavy.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1129\" data-start=\"922\"\u003eBuilt with strong turquoise character, confident bench work, and collector-scale weight, this cuff is a powerful example for those drawn to substantial Navajo bracelets with clarity, structure, and presence.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"162\" data-end=\"606\"\u003eThis bracelet is signed FRED GUERRO and carries a STERLING stamp. Reference and market examples associate this full Fred Guerro signature with Fred Guerro Sr., Navajo silversmith, distinguishing it from Fred Guerro Jr. examples that are commonly marked with a junior designation or FG Jr.\u003c\/p\u003e\n\u003cp data-start=\"162\" data-end=\"606\"\u003eFred Guerro Sr. was born on November 14, 1934, and lived a long life shaped by family, faith, work, and craft. Although he is widely identified as a Diné\/Navajo, biographical references describe him as Chishi, Apache Clan, born for Áshiihí, Salt People Clan, reflecting Navajo clan identification rather than a separate primary tribal attribution. He spent much of his life in Alamo, with periods in To’hajiilee and Socorro, and passed away in Albuquerque on November 21, 2020.He spent most of his life in Alamo, with periods in To’hajiilee and Socorro. He passed away peacefully in Albuquerque on November 21, 2020, leaving behind a large family, a strong local memory, and a body of jewelry that continues to circulate among collectors.\u003c\/p\u003e\n\u003cp data-start=\"608\" data-end=\"1085\"\u003eBy all accounts, Fred was the kind of man people remembered vividly. He was known for his humor, storytelling, teasing nature, and generosity. He opened his home to people who needed a place to stay, a place to recover, or simply a little steady ground. He was also deeply committed to his Christian faith, known for quoting scripture and encouraging others to know it well. That mix of warmth, conviction, and wit seems to have stayed with those who knew him best.\u003c\/p\u003e\n\u003cp data-start=\"1087\" data-end=\"1638\"\u003eHe was not only a silversmith; he also worked with his hands in other demanding trades, building houses, often in adobe, and taking on fence-building jobs that carried him across New Mexico. Family members remembered traveling with him for work and hunting, listening to his stories along the way. That kind of life matters when looking at his jewelry. His pieces do not feel detached from the world of labor, land, and daily use. They tend to have presence, weight, and a practical confidence that sits well within late-20th-century Navajo jewelry.\u003c\/p\u003e\n\u003cp data-start=\"1640\" data-end=\"2174\"\u003eReference sources and collector literature associate Fred Guerro’s work with stamp and file work, shadowbox construction, and set-stone jewelry. Reported hallmarks include F G, Fred G, and the previously mentioned \"Fred Guerro\" appearing in either stamped or inscribed form. Online examples of his signed jewelry also suggest a preference for substantial silver, bold stone presentation, and collector-scale forms, especially cuffs and other statement pieces. What makes his work appealing is that it does not need exaggerated language. The better pieces speak clearly on their own: strong silver, decisive stones, and a direct design sense that feels rooted rather than ornamental. \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44157123395781,"sku":"00005BR1NJ9202","price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130249.webp?v=1776524670"},{"product_id":"zuni-turquoise-petit-point-squash-necklace","title":"Zuni Turquoise Petit Point Cluster Squash Blossom Sterling Silver Necklace - Circa 1950-60s","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVintage Native American squash blossom necklace\u003cbr data-end=\"554\" data-start=\"551\"\u003eTurquoise cluster work consistent with Zuni production\u003cbr data-end=\"615\" data-start=\"612\"\u003eHand-fabricated sterling silver construction\u003cbr data-end=\"659\" data-start=\"656\"\u003eUnsigned post-Harvey Era production\u003cbr data-end=\"698\" data-start=\"695\"\u003eStrong mid-century collector example\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNecklace Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eTurquoise in petit point, needlepoint, and snake-eyes (round cuts)\u003c\/li\u003e\n\u003cli\u003eHand-fabricated beads strung on traditional foxtail chain\u003cbr data-end=\"631\" data-start=\"628\"\u003e\n\u003c\/li\u003e\n\u003cli\u003ePeriod wire hook-and-eye closure\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCirca 1950s - 1960s\u003c\/li\u003e\n\u003cli\u003eCondition: Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNecklace Specifications: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: moderate matinee presence per SCJ size guide, rendered in a refined mid-century scale\u003c\/li\u003e\n\u003cli\u003eNaja pendant: 2\" x 2\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlossom length: approx. 1\"\u003c\/li\u003e\n\u003cli\u003eBead diameter: 7-8 mm\u003c\/li\u003e\n\u003cli\u003eTotal length (including clasp): 25 7\/8\" \u003c\/li\u003e\n\u003cli\u003eWeight: 81.1 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"152\" data-end=\"632\"\u003eThis elaborate vintage squash blossom necklace presents the refined look collectors associate with mid-century Southwest silverwork. The four-petaled blossoms, restrained proportions, and balanced placement of stone and silver support a mid-century attribution. Masterfully cut into clusters of petit point, needlepoint, and round elements, the blue turquoise cabochons—with minimal matrix and subtle shade variation—create a dimensional, mosaic-like composition.\u003c\/p\u003e\n\u003cp data-start=\"634\" data-end=\"1340\"\u003eThe necklace is consistent with the mature mid-century period of Zuni petit point and cluster jewelry. Handmade two-piece silver beads, carefully calibrated turquoise stones, and layered cluster construction are all characteristic of workshop production from that era, when fabrication remained fully handmade despite increasing refinement. Based on these construction features, the piece most likely dates to the 1950-60s. Matched cuts, even bezels, and the steady rhythm from the naja through each blossom unify the necklace while still highlighting each handmade component. The carefully assembled strand of beads on foxtail chain serves as a traditional backdrop for the stonework.\u003c\/p\u003e\n\u003cp data-start=\"1342\" data-end=\"1581\"\u003eEach small, tightly fitted part of the ensemble required sustained lapidary and silverwork control, lending the piece a more delicate, labor-intensive character than the broader proportions that became more common later in the century.\u003c\/p\u003e\n\u003cp data-start=\"2524\" data-end=\"2677\"\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCollectors of vintage Zuni jewelry\u003c\/li\u003e\n\u003cli\u003eAdmirers of traditional petit point and needlepoint work\u003c\/li\u003e\n\u003cli\u003eThose seeking squash blossom necklaces with balanced scale\u003c\/li\u003e\n\u003cli\u003eSouthwestern and heritage-focused styling\u003c\/li\u003e\n\u003cli\u003ePairing with other mid-century turquoise pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44157148266693,"sku":"00011NEMNJ11678","price":3780.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/8140212-2.webp?v=1776524682"},{"product_id":"navajo-turquoise-coral-squash-blossom-necklace","title":"Substantial Native American Navajo Turquoise Nuggets \u0026 Coral Squash Blossom Sterling Silver Necklace SIGNED","description":"\u003cp data-start=\"259\" data-end=\"503\"\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"259\" data-end=\"503\"\u003eSubstantial Native American turquoise \u0026amp; coral squash blossom necklace\u003cbr data-start=\"187\" data-end=\"190\"\u003eStylistically consistent with Navajo bench work\u003cbr data-start=\"262\" data-end=\"265\"\u003eTurquoise consistent with Kingman material\u003cbr data-start=\"304\" data-end=\"307\"\u003eBead strand with extender\u003cbr data-start=\"383\" data-end=\"386\"\u003eSigned collector example with strong visual contrast and presence\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNecklace Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eTurquoise nuggets in saturated shades of blue\u003c\/li\u003e\n\u003cli\u003eRed-orange coral accents\u003c\/li\u003e\n\u003cli\u003eHeavy-gauge sterling construction\u003c\/li\u003e\n\u003cli\u003eBench-made beads strung on double-wire\u003c\/li\u003e\n\u003cli\u003eHallmarked by the silversmith - artisan under active research\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHook-and-eye closure\u003c\/li\u003e\n\u003cli\u003eCondition: Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNecklace Specifications: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: Statement matinee length per SCJ size guide, adjusted to opera length with the extender\u003c\/li\u003e\n\u003cli\u003eLargest turquoise: 5\/8\" x 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eNaja: 2 1\/2\" x 2 7\/8\"\u003c\/li\u003e\n\u003cli\u003eBlossom length range: 1\" - 1 1\/8\"\u003c\/li\u003e\n\u003cli\u003eBead diameter: 8-9 mm\u003c\/li\u003e\n\u003cli\u003eTotal length (including clasp): 20 3\/8\" (approx. 25 5\/8\" with the chain extender)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeight: 199.9 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"610\" data-start=\"203\"\u003eThe composition of this squash blossom necklace is built around contrast and proportion, with the naja as the focal point, carrying alternating turquoise nuggets and corals. The vivid blue nuggets and red coral accents are individually rope-framed and sit slightly proud of the silverwork, secure within their sawtooth bezels, giving the stones a strong architectural presence. The graduated blossoms repeat this pairing in measured intervals, creating a steady rhythm across the necklace and into the terminals.\u003c\/p\u003e\n\u003cp data-end=\"976\" data-start=\"612\"\u003eTurquoise and coral form a color relationship long favored in Navajo jewelry, and the careful distribution of these hues, textures, and silver appliqués throughout the piece produces visual movement and harmony without crowding.\u003c\/p\u003e\n\u003cp data-end=\"1336\" data-start=\"978\"\u003eConstruction details, including the blossom layout, bench-made beads, bezel work, and overall structure, align with traditional late-20th-century Navajo work. Although the necklace carries a maker’s mark that has not yet been definitively attributed to a specific artisan or tribe, it reflects the enduring design language of Navajo silversmithing.\u003c\/p\u003e\n\u003cp data-end=\"1336\" data-start=\"978\"\u003eSubstantial in scale and visually commanding, this piece was designed to command attention.\u003c\/p\u003e\n\u003cp data-end=\"1499\" data-start=\"1338\"\u003e\u003cstrong\u003eARTISAN NOTE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"3210\" data-start=\"2961\"\u003eThe necklace bears a stamped maker’s mark consisting of a single stylized initial, which may read as \"D,\" \"J,\" or a combined form depending on orientation and strike. The hallmark indicates signed studio production rather than anonymous manufacture.\u003c\/p\u003e\n\u003cp data-end=\"3666\" data-start=\"3212\"\u003eThis specific mark does not currently correspond to documented entries in major published hallmark references or standard trade sources. Abbreviated or single-initial signatures of this type are not uncommon among Native American silversmiths working outside formal registry systems. Attribution, therefore, rests on hallmark presence and stylistic comparison rather than a confirmed artist identity.\u003c\/p\u003e\n\u003cp data-end=\"3789\" data-start=\"3668\"\u003eSigned works of this scale and stone content generally represent individual studio output rather than contemporary mass production.\u003c\/p\u003e\n\u003cp data-end=\"3789\" data-start=\"3668\"\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"2968\" data-start=\"2778\"\u003eCollectors of signed Native American jewelry\u003c\/li\u003e\n\u003cli data-end=\"2968\" data-start=\"2778\"\u003eAdmirers of turquoise and coral designs\u003c\/li\u003e\n\u003cli data-end=\"2968\" data-start=\"2778\"\u003eStatement Southwestern dressing\u003c\/li\u003e\n\u003cli data-end=\"2968\" data-start=\"2778\"\u003eLayering with other necklaces or smaller bead strands\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase. \u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44157173858501,"sku":"00010NEMNJ11745","price":3752.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130048.webp?v=1776524682"},{"product_id":"turquoise-mosaic-chip-inlay-navajo-bracelet","title":"Circa 1970s Native American Navajo Turquoise Mosaic Chip Inlay Hand-Engraved Sterling Silver Cuff Bracelet","description":"\u003ch2\u003e\u003cstrong\u003eOverview:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eCirca 1970s, unsigned Navajo sterling silver cuff bracelet with turquoise chip mosaic inlay, a central wheel design, hand-engraved crescent borders, and a heavy-gauge convex shank.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eVintage heavy-gauge turquoise chip inlay cuff consistent with Navajo work\u003cbr data-end=\"123\" data-start=\"120\"\u003eCentral turquoise wheel mosaic with flanking half panels\u003cbr data-end=\"224\" data-start=\"221\"\u003eCrescent-textured engraved border \u0026amp; accents\u003cbr data-end=\"304\" data-start=\"301\"\u003eOne-of-a-kind period example — 89.5 grams\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eBracelet Features:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eInlaid crushed polychrome turquoise chips\u003c\/li\u003e\n\u003cli\u003eHeavy-gauge convex shank\u003c\/li\u003e\n\u003cli\u003eEngraved borders and terminals \u003c\/li\u003e\n\u003cli\u003eConstruction \u0026amp; design consistent with 1970s Navajo silverwork\u003c\/li\u003e\n\u003cli\u003eUnsigned\u003c\/li\u003e\n\u003cli\u003eCondition: Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eBracelet Specifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium with broad coverage and low profile\u003c\/li\u003e\n\u003cli\u003eFace width: 1 1\/2\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 1\/2\"\u003c\/li\u003e\n\u003cli\u003eGap: 1 3\/16\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 11\/16\" (S per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 89.5 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eABOUT THIS PIECE: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"0\" data-end=\"374\"\u003eThis vintage Navajo cuff centers on a repeating constellation of turquoise mosaics, each composed of small fragments of crushed stone fitted into hand-cut silver channels. Known as chip inlay, the method became a defining style in Navajo silversmithing in the 1970s and is closely associated with the work of the Singer family, especially Tommy Singer.\u003c\/p\u003e\n\u003cp data-start=\"376\" data-end=\"825\"\u003eThe wide sterling cuff began as a heavy sheet of silver, and it was subsequently hand-engraved before the stones were applied. The arched cuts provide a visual interruption to the inlay work, adding movement and depth across the shank. The crisp-textured crescents also appear along the borders and at the terminals, giving continuity to the composition. The result is a restrained design: a full central inlaid circle flanked by half-panels that highlight the varied hues of the stones and unify the cuff through symmetry and rhythm. \u003c\/p\u003e\n\u003cp data-start=\"827\" data-end=\"1137\"\u003eAs the cuff turns on the wrist, the surface shifts between precise geometry and sharply cut texture, giving the bracelet presence without relying on size or heavy ornamentation. Decades of wear have left a deep patina that emphasizes the engraved detail and contrast against the blue palette.\u003c\/p\u003e\n\u003ch2 data-end=\"1104\" data-start=\"914\"\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCollectors drawn to early chip inlay work\u003c\/li\u003e\n\u003cli\u003eNavajo handmade jewelry collections\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates artisan mosaic jewelry\u003c\/li\u003e\n\u003cli\u003eEveryday wear with weight and presence\u003c\/li\u003e\n\u003cli\u003eWearers who favor pattern over single-stone focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase. \u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44157179297989,"sku":"00019BRMNJ11950","price":517.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130311.webp?v=1776524694"},{"product_id":"hoskie-navajo-royston-turquoise-row-sterling-bracelet","title":"Native American Navajo Royston Turquoise Row Stamped Sterling Silver Cuff Bracelet by G. HOSKIE","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFive-stone turquoise row cuff bracelet by Navajo silversmith Guy Hoskie\u003cbr data-end=\"434\" data-start=\"431\"\u003eStones visually consistent with Royston district material\u003cbr data-end=\"545\" data-start=\"542\"\u003eIntricate stampwork extending across the cuff shoulders\u003cbr data-end=\"603\" data-start=\"600\"\u003eBalanced medium statement cuff with strong collector appeal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver\u003c\/li\u003e\n\u003cli\u003eFive natural turquoise cabochons with blue-green \u0026amp; deeper green tones\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeep hand-stamping \u0026amp; vintage revival oxidation\u003c\/li\u003e\n\u003cli\u003eHeavy-gauge sterling silver construction\u003c\/li\u003e\n\u003cli\u003eHallmarked by the maker\u003c\/li\u003e\n\u003cli\u003eCondition: Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium statement cuff with pronounced presence\u003c\/li\u003e\n\u003cli\u003eCenter turquoise: 1\" x 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 7\/8\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 1\/2”\u003c\/li\u003e\n\u003cli\u003eGap: 7\/8”\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 3\/8\" (S per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 63.5 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"18\" data-end=\"465\"\u003eThis signed Guy Hoskie cuff presents a five-stone turquoise composition with strong visual rhythm and clear material presence. The cabochons move through shades of blue, green, and deeper moss tones, each marked by its own matrix patterning. Rather than aiming for strict uniformity, the bracelet allows that natural variation to become part of the design, creating a Royston-associated palette with depth, contrast, and cohesion.\u003c\/p\u003e\n\u003cp data-start=\"467\" data-end=\"949\"\u003eThe silverwork is deliberate and structurally strong. Each stone is set in a smooth bezel, framed with twisted wire, and distributed across a raised outer plate, creating a subtle sense of dimension over the solid inner cuff. Deep stampwork continues through the shoulders and out to the terminals, extending the visual interest well beyond the central setting. The result is a controlled surface work that supports the stones and gives the bracelet a fully resolved profile from end to end, without excess.\u003c\/p\u003e\n\u003cp data-start=\"467\" data-end=\"949\"\u003eThe piece reads as confident rather than overstated. Its strength comes from proportion, surface, and material balance: substantial silver, well-chosen turquoise, and stampwork used with purpose. For collectors of signed Navajo jewelry, it offers the combination that matters most—strong stones, convincing structure, and a fully integrated design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARTISAN NOTE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGuy Hoskie is a Navajo silversmith whose work is associated with deep stampwork, substantial silver construction, and strong set-stone compositions. Southwestern galleries consistently identify him as Sunshine Reeves’ brother-in-law, placing him within a family circle known for heavily worked silver and bold stamp patterns. Market-circulated biographies also suggest that he learned the craft from or alongside relatives, especially Sunshine Reeves and Andy Cadman.\u003c\/p\u003e\n\u003cp data-start=\"1811\" data-end=\"2335\"\u003eOther biographical details repeated across dealer and gallery sources remain unverified. These include claims that he worked for the Navajo Tribe in Window Rock from 1975 to 2000 while making jewelry on the side, became a full-time artisan in the early 1990s, was born in 1952, was born in Fort Defiance, Arizona, later lived in Window Rock, and had family and military ties noted in dealer biographies. These points may offer useful directions for future research, but they should not be treated as independently confirmed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECT FOR: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCollectors of signed Navajo silverwork with strong stampwork traditions\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eRoyston turquoise collections focused on natural color variation\u003c\/li\u003e\n\u003cli\u003eCurated bracelet groupings anchored by a central statement cuff\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates substantial, bench-fabricated Southwestern silverwork \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase. \u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44157187588293,"sku":"00012BR5NJ12217","price":1488.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130225.webp?v=1776524694"},{"product_id":"silver-arrow-1940s-natural-turquoise-stamped-bracelet","title":"1940s Harvey Era High-Grade Natural Turquoise Sterling Silver Navajo Cuff Bracelet by SILVER ARROW","description":"\u003cp class=\"isSelectedEnd\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e✨\u003c\/span\u003e\u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2 class=\"isSelectedEnd\"\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Late Harvey Era Silver Arrow sterling silver cuff bracelet with oval turquoise cabochon, split shank construction, and applied silverwork\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStone:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e High-grade turquoise cabochon visually consistent with Nevada material\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eColor:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Teal-blue turquoise with dark rust-brown matrix and deeper blue-green movement\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAccent:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Alternating silver beads, hollow circular appliqués, rope wire, stamped borders, and applied side panels\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMetal:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e .925 sterling silver\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMaker:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Silver Arrow | a commercial workshop \u0026amp; manufacturer\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEra:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Circa 1940s\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStatus:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sterling silver turquoise cuff bracelet, hallmarked by the shop\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: domed stone profile with visually substantial face and comfortable medium-scale wrist presence\u003c\/li\u003e\n\u003cli\u003eStone: 7\/8\" x 1\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 1 1\/2\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 5\/8\"\u003c\/li\u003e\n\u003cli\u003eGap: 7\/8\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 1\/2\" (M per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 35.7 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMany Harvey-era cuffs have survived. Far fewer still feel this alive today.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis signed Silver Arrow bracelet carries museum-caliber preservation and striking visual energy — from its luminous domed turquoise to the crisp silverwork and interior hallmark, all of it arriving eighty years later with unusual strength. A quiet conversation piece for the collector who notices.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe oval saturated cabochon rises in a smooth dome with a moody blue-green hue, dark rust-toned matrix, and a polished surface that still catches the light — more commanding than the small stones typically found in lighter tourist-period bracelets.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe silverwork earns equal attention. Rounded beadwork, well-defined circular appliqués, and textured rope wire panels build a face with genuine density — elaborate where most Harvey-era cuffs are simple, dimensional where others are flat.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhat separates this cuff is how completely those qualities have held together: stone, silver, and hallmark intact, none softened by the decades. History and structure, worn in balance.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis cuff is stamped STERLING and Silver Arrow on the interior. The sterling mark is crisply struck inside the fletched end of a long arrow that flows directly into the elegant cursive Silver Arrow hallmark running toward the arrow's tip — an exceptionally clean example of the signature.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSilver Arrow belongs to the mid-century Harvey jewelry story rather than to a single artisan signature — and its role in that story was significant. Rather than a destination shop where tourists stopped to browse, Silver Arrow operated as a major wholesale supplier, moving Indian-design silver jewelry through trade networks, curio shops, and commercial channels across the Southwest. In \u003cem\u003eFred Harvey Jewelry: 1900–1955\u003c\/em\u003e, jewelry historian Dennis June documents Silver Products Manufacturing Co. of Kansas City, Missouri, as a prominent company producing silver Indian-design jewelry during the 1940s. June describes the company's evolving mark sequence and notes that Harvey jewelry bearing these stamps is enthusiastically collected today.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThree distinct stamp variations help place Silver Arrow pieces accurately within that history. The earliest, used in the late 1930s and early 1940s, is a blocky SILVER PRODUCTS COIN SILVER stamp paired with an arrow symbol, reflecting the company's origins in coin-alloy production. That practice was already fading by the time Silver Arrow emerged — Mexican peso melting had been largely phased out as coin export to the American Southwest was restricted, and sterling ingots in standardized sheet and wire form had become the industry standard. American coins had effectively left the jewelry bench decades earlier, when defacing U.S. currency was outlawed in 1890.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eBy the 1940s, Silver Arrow had transitioned to its second and most recognizable mark: the long running script Silver Arrow name paired with a STERLING stamp placed inside the arrow's fletching. This is the mark on this cuff, used extensively through the company's active Southwest trade routes. A third and final mark — a tighter corporate block stamp registered as SILVER ARROW-STERLING around 1950, recorded in registries including Lang Antiques — reflects the postwar period, when standardized retail classification reshaped how makers identified their work.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eBecause this cuff carries the long script-and-arrow hallmark with STERLING struck inside the feathered end, it aligns with the Stamp 2 production period, supporting a 1940s placement. That distinction matters to collectors because it links the bracelet to the company's most active Harvey-era output, not simply to the Silver Arrow name in general.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSecondary market research adds geographic depth to that placement. The workshop's production roots trace to Albuquerque, New Mexico, where it was established in 1938, with operations later relocating to San Luis, Colorado, before the company closed its commercial routes in the 1950s. Registered as a Midwestern business entity for distribution purposes, Silver Arrow's working history was distinctly Southwestern — and the jewelry reflects it. The company frequently employed machine-assisted die-striking to process sheet silver while relying on regional indigenous silversmiths for hand-stamping, stone-setting, and bench-finishing. This cuff, with its layered construction and carefully worked face, represents that collaborative process at a high level of execution.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected collector notes may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44157204562117,"sku":"00016BR1NJ12080","price":620.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9130323.webp?v=1776524706"},{"product_id":"navajo-nevada-turquoise-sterling-silver-cuff-bracelet","title":"Vintage Native American Navajo Nevada Turquoise Sterling Silver Cuff Bracelet","description":"\u003cp\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA substantial Native American turquoise cuff with strong visual balance\u003cbr data-start=\"71\" data-end=\"74\"\u003eTurquoise cabochon consistent with Nevada material\u003cbr data-start=\"124\" data-end=\"127\"\u003eStrong and minimalist shank\u003cbr data-start=\"154\" data-end=\"157\"\u003eUnderstated feather appliqués flank the centerpiece stone\u003cbr data-start=\"214\" data-end=\"217\"\u003eConstruction and design aligned with Navajo work\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.925 sterling silver (unmarked)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eVivid blue-green turquoise with golden-brown matrix\u003c\/li\u003e\n\u003cli\u003eHeavy-gauge silver construction\u003c\/li\u003e\n\u003cli\u003eSplit-shank design\u003c\/li\u003e\n\u003cli\u003eApplied chased feather motifs\u003c\/li\u003e\n\u003cli\u003eUnsigned\u003c\/li\u003e\n\u003cli\u003eCondition: Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBracelet Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium statement cuff with grounded presence.\u003c\/li\u003e\n\u003cli\u003eTurquoise: 1 11\/16\" x 1\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 2 1\/16\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 1\/2\" \u003c\/li\u003e\n\u003cli\u003eGap: 1 1\/16\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 9\/16\" (L per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 63.4 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THIS PIECE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"846\" data-start=\"794\"\u003eThis bracelet is built around a single commanding stone.\u003c\/p\u003e\n\u003cp data-end=\"1201\" data-start=\"848\"\u003eThe cabochon presents a saturated blue-green field on a golden-brown host rock, a characteristic often associated with Nevada turquoise. The matrix forms irregular islands across the surface, creating contrast and depth without visual weight.\u003c\/p\u003e\n\u003cp data-start=\"1730\" data-end=\"2052\"\u003eThe surrounding silverwork remains restrained, with a quiet, smooth finish that emphasizes the stone. The open split shank balances the composition while supporting the centerpiece. Applied feather motifs add texture and dimension, introducing a traditional Native American element within a controlled, uncluttered design. There's a clear sense of presence here, yet the cuff maintains a composed profile. It reads as a bold single-stone piece with defined structure and proportion.\u003c\/p\u003e\n\u003cp data-start=\"1562\" data-end=\"1758\"\u003e\u003cstrong\u003ePERFECT FOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"1781\" data-end=\"2026\"\u003eCollectors of Navajo turquoise jewelry\u003c\/li\u003e\n\u003cli data-start=\"1781\" data-end=\"2026\"\u003eThose drawn to bold matrix patterns\u003c\/li\u003e\n\u003cli data-start=\"1781\" data-end=\"2026\"\u003eAnyone who appreciates medium-size statement cuffs\u003c\/li\u003e\n\u003cli data-start=\"1781\" data-end=\"2026\"\u003eSouthwestern, Western, and elevated Boho-Chic styling\u003c\/li\u003e\n\u003cli data-start=\"1781\" data-end=\"2026\"\u003ePairing with turquoise rings or wearing as a single focal piece\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1781\" data-end=\"2026\"\u003e\u003cspan\u003e✨ Collectors Circle members receive a welcome offer on their first purchase. \u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44157221732549,"sku":"00014BR1NJ11830","price":1017.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9280078.webp?v=1776524707"},{"product_id":"harvey-era-cerrillos-turquoise-sterling-cuff-bracelet","title":"Harvey Era Navajo Natural Cerrillos Turquoise Trio Twisted Wire Sterling Silver Cuff Bracelet","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Segoe UI Emoji',sans-serif; mso-bidi-font-family: 'Segoe UI Emoji';\"\u003e✨\u003c\/span\u003e\u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-start=\"183\" data-end=\"194\"\u003eDesign:\u003c\/strong\u003e Native American cuff with a graduated three-stone turquoise arrangement and twisted flat-wire shank with eagle motifs\u003cbr\u003e\u003cstrong data-start=\"346\" data-end=\"356\"\u003eStone:\u003c\/strong\u003e Natural turquoise consistent with Cerrillos material\u003cbr\u003e\u003cstrong data-start=\"428\" data-end=\"438\"\u003eColor:\u003c\/strong\u003e Green turquoise, ranging from deep forest green at the center to brighter open green at the shoulders\u003cbr\u003e\u003cstrong data-start=\"540\" data-end=\"551\"\u003eAccent:\u003c\/strong\u003e Applied eagle motifs flanking the side stones\u003cbr\u003e\u003cstrong data-start=\"598\" data-end=\"608\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver, unmarked\u003cbr\u003e\u003cstrong data-start=\"640\" data-end=\"656\"\u003eAttribution:\u003c\/strong\u003e Navajo work associated with the late Harvey Era\u003cbr\u003e\u003cstrong data-start=\"721\" data-end=\"729\"\u003eEra:\u003c\/strong\u003e Circa 1940s\u003cbr\u003e\u003cstrong data-start=\"742\" data-end=\"753\" data-is-only-node=\"\"\u003eStatus:\u003c\/strong\u003e Unsigned and unstamped turquoise trio sterling cuff\u003cbr\u003e\u003cstrong data-start=\"776\" data-end=\"790\"\u003eCondition:\u003c\/strong\u003e Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: high profile, medium scale cuff \u003cspan\u003e—\u003c\/span\u003e noticeable without excess\u003c\/li\u003e\n\u003cli\u003eLargest stone: approx. 3\/4\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 1\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 1\/4\"\u003c\/li\u003e\n\u003cli\u003eGap: 1 1\/4\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 1\/2\" (M per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 37.3 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"671\" data-start=\"177\"\u003eThis late Harvey-era Navajo cuff centers on a classic trio of domed turquoise cabochons, arranged in graduated order with a clear central focus. The exquisite stones span the green palette, creating a color story closely associated with Cerrillos deposits, long prized for their rich hues and natural variation. Their high-luster surface and exceptionally preserved condition give the bracelet a refined presence.\u003c\/p\u003e\n\u003cp data-end=\"1128\" data-start=\"673\"\u003eThe silverwork is restrained but assured. A heavy-gauge twisted flat-wire shank gives the cuff structure and tactile movement, while two small hand-chased eagle appliqués flank the side stones with quiet symmetry. With a 1\" face and a high profile, this cuff has presence without becoming oversized. It's an elegant choice as a stand-alone or for layered pairings. Timeless and quietly expressive, it reflects the subtle confidence of mid-century Native American silverwork.\u003c\/p\u003e\n\u003ch2 data-end=\"2307\" data-start=\"2282\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"701\" data-start=\"288\"\u003eThis bracelet is unsigned and carries no silver purity stamp, a practice consistent with the norm of the period. The absence of a maker's mark is also common in pre-1970s silversmithing, when pieces were made for tourists, trading posts, and curio markets, with an emphasis on designs, wearability, and production rather than individual maker identification.\u003c\/p\u003e\n\u003cp data-end=\"1090\" data-start=\"703\"\u003eThe attribution is based on the bracelet’s overall language. The three-stone layout, measured ornament, wearable proportion, and controlled design are elements associated with late Harvey-era silverwork created for understated sophistication rather than authorship. \u003c\/p\u003e\n\u003cp data-end=\"1090\" data-start=\"703\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44189203988677,"sku":"00021BR3NJ1186","price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/9280136.webp?v=1776524717"},{"product_id":"navajo-turquoise-coral-claw-sterling-pendant","title":"Native American Kingman Turquoise Coral \u0026 Bear Claw Sterling Silver Pendant Signed","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e✨ \u003c\/strong\u003eCollectors Circle members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-start=\"16\" data-end=\"27\"\u003eDesign:\u003c\/strong\u003e Native American bear claw sterling pendant with turquoise, coral, and intricate silverwork\u003cbr data-start=\"118\" data-end=\"121\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"121\" data-end=\"131\"\u003eStone:\u003c\/strong\u003e Turquoise cabochon consistent with Kingman material\u003cbr data-start=\"183\" data-end=\"186\"\u003e\u003cstrong data-start=\"186\" data-end=\"196\"\u003eColor:\u003c\/strong\u003e Saturated sky-blue turquoise with minimal matrix\u003cbr data-start=\"245\" data-end=\"248\"\u003e\u003cstrong data-start=\"248\" data-end=\"271\"\u003eSecondary Stone(s):\u003c\/strong\u003e Two small red-orange coral accents\u003cbr data-start=\"306\" data-end=\"309\"\u003e\u003cstrong data-start=\"309\" data-end=\"320\"\u003eAccent:\u003c\/strong\u003e Layered wirework, chased leaves, and flower appliqués\u003cbr data-start=\"374\" data-end=\"377\"\u003e\u003cstrong data-start=\"377\" data-end=\"387\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-start=\"408\" data-end=\"411\"\u003e\u003cstrong data-start=\"411\" data-end=\"422\"\u003eArtist:\u003c\/strong\u003e Signed J.M. | Navajo silversmith under active research\u003cbr data-start=\"497\" data-end=\"500\"\u003e\u003cstrong data-start=\"500\" data-end=\"508\"\u003eEra:\u003c\/strong\u003e Late 20th century\u003cbr data-start=\"526\" data-end=\"529\"\u003e\u003cstrong data-start=\"529\" data-end=\"540\"\u003eStatus:\u003c\/strong\u003e Vintage Native American jewelry piece with partially faded hallmark\u003cbr data-start=\"608\" data-end=\"611\"\u003e\u003cstrong data-start=\"611\" data-end=\"625\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: mid-size pendant (chain not included)\u003c\/li\u003e\n\u003cli\u003eTurquoise: 5\/16\" x 5\/16\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eWidth:  1 1\/4\"\u003c\/li\u003e\n\u003cli\u003eTotal length (including the bail): 2 1\/4\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBail: compact, best suited for fine to medium weight chain\u003c\/li\u003e\n\u003cli\u003eWeight: 13.1 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"1790\" data-start=\"1444\"\u003eThis Native American bear claw pendant brings together symbolic strength, saturated color, and detailed silverwork in a compact yet commanding form. A vivid sky-blue turquoise cabochon anchors the upper center, framed by curling wirework and layered sterling silver appliqué, while two red-orange coral accents introduce warmth beneath the stone.\u003c\/p\u003e\n\u003cp data-end=\"2108\" data-start=\"1792\"\u003eThe turquoise-and-coral contrast gives the pendant a classic Southwestern presence, while the genuine bear claw adds visual weight and traditional collector interest. Its mid-size scale keeps the piece wearable, but the layered silverwork, strong materials, and symbolic form give it a bold presence beyond its size.\u003c\/p\u003e\n\u003cp data-end=\"2307\" data-start=\"2110\"\u003eCompact yet expressive, this pendant reflects the appeal of vintage Native American jewelry with strong visual character, meaningful materials, and construction details consistent with Navajo work.\u003c\/p\u003e\n\u003ch2 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"300\" data-end=\"560\"\u003eThe reverse bears a partially faded hallmark that appears to read “J.M.” beside a clear STERLING stamp. The maker remains under active research, as the mark has not yet been conclusively matched to a single documented silversmith.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"905\"\u003eThe Navajo attribution is based on the pendant’s genuine bear claw element, sterling silverwork, turquoise-and-coral arrangement, curling wire accents, layered appliqué, and overall late 20th-century Navajo jewelry vocabulary — elements consistent with Navajo work, though maker identification remains unconfirmed due to the softened hallmark.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"905\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44189237838021,"sku":"00022PE3C1NJ12546","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/A050220.webp?v=1776524718"},{"product_id":"eagle-dancer-kachina-turquoise-coral-sterling-bolo","title":"180-gram Massive Southwestern Navajo Turquoise \u0026 Coral Sterling Silver Eagle Dancer Kachina Bolo Tie by PETE MORGAN \u0026 BROKEN ARROW TRADERS","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e✨\u003c\/span\u003e Collectors Circle members receive a welcome offer  \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDesign: \u003c\/strong\u003eNative American extra-large Eagle Dancer kachina bolo tie\u003cstrong\u003e\u003cbr data-end=\"295\" data-start=\"292\"\u003eStone: \u003c\/strong\u003eSeven turquoise cabochons consistent with Turquoise Mountain material\u003cstrong\u003e\u003cbr data-end=\"368\" data-start=\"365\"\u003eColor: \u003c\/strong\u003eSeven vivid blue matched turquoise stones\u003cstrong\u003e\u003cbr data-end=\"433\" data-start=\"430\"\u003eAccent: \u003c\/strong\u003eFive red-orange coral accents with layered silver appliqués, twisted-wire borders, fan and wing elements, and added hand-fabricated silverwork applied to the main slide\u003cstrong\u003e\u003cbr data-end=\"526\" data-start=\"523\"\u003eMetal: \u003c\/strong\u003e.925 sterling silver\u003cstrong\u003e\u003cbr data-end=\"560\" data-start=\"557\"\u003eArtist:\u003c\/strong\u003e Signed \"M\" stylized initial associated with Navajo artist Pete Morgan | Broken Arrow Traders shop mark, associated with Kay Johnson\u003cstrong\u003e\u003cbr data-end=\"669\" data-start=\"666\"\u003eEra: \u003c\/strong\u003eLate 20th century\u003cstrong\u003e\u003cbr data-end=\"698\" data-start=\"695\"\u003eStatus: \u003c\/strong\u003eSigned and shop-stamped large-scale Southwestern collector bolo tie\u003cstrong\u003e\u003cbr data-end=\"780\" data-start=\"777\"\u003eCondition: \u003c\/strong\u003eVery Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eSpecifications:\u003c\/strong\u003e \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: extra-large statement slide — spans the upper chest\u003c\/li\u003e\n\u003cli\u003eLargest turquoise: 1\" x 5\/8\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eSlide: 6 3\/4\" x 5\"\u003c\/li\u003e\n\u003cli\u003eTotal length (including tips): 38 1\/2\"\u003c\/li\u003e\n\u003cli\u003eCord: thick, black braided leather with light wear from slide movement\u003c\/li\u003e\n\u003cli\u003eTips \u0026amp; ferrules condition: heavy-gauge sterling, gently worn with moderate patina\u003c\/li\u003e\n\u003cli\u003eClasp: double-ring slide back\u003c\/li\u003e\n\u003cli\u003eWeight: 180.9 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-end=\"580\" data-start=\"172\"\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"580\" data-start=\"172\"\u003eThis Eagle Dancer kachina bolo tie is a dramatic 1980s Navajo-Anglo Southwestern workshop statement piece produced under the Broken Arrow Traders brand and bearing a Pete Morgan-associated hallmark. Its oversized figural form, layered construction, and weight place it firmly within the bold studio-made tradition collected as wearable Southwest art.\u003c\/p\u003e\n\u003cp data-end=\"580\" data-start=\"172\"\u003eThe striking Eagle Dancer with outstretched wings is a motif deeply rooted in Hopi and Pueblo ceremonial tradition, and it became widely adopted in 20th-century commercial Southwestern jewelry produced across tribal lines. The piece is richly adorned with saturated blue turquoise cabochons and red-orange coral accents; together, these stones create a dynamic contrast against the dark sterling surface. The intricate silverwork on the slide and the fully dressed leather embellished with substantial sterling tips and ferrules add dimension, movement, and a commanding presence to the piece. \u003c\/p\u003e\n\u003cp data-end=\"580\" data-start=\"172\"\u003eThis bolo tie has the scale and visual force of sculptural jewelry rather than conventional Southwestern neckwear. It is especially suited to collectors drawn to extra-large pieces, kachina-inspired design, and high-impact Native American jewelry forms.\u003c\/p\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-6a07bac2-d1f0-83e8-be84-bcb33d28de06-4\" data-is-intersecting=\"true\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a07bac2-d1f0-83e8-be84-bcb33d28de06-4\" data-turn-id-container=\"request-6a07bac2-d1f0-83e8-be84-bcb33d28de06-4\" data-testid=\"conversation-turn-34\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"93eb0f73-90e2-4307-829a-f1125d42fa6e\" dir=\"auto\" data-message-model-slug=\"gpt-5-5-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2 data-end=\"1228\" data-start=\"892\"\u003e\n\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e \u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis bolo carries two stamped marks: a stylized capital M and the shop mark of Broken Arrow Traders, the Arizona-based silversmithing workshop operated by Kay Johnson, an Anglo artisan known for handmade sterling Southwestern jewelry in the traditional bench-made tradition. Johnson works alongside Bruce Johnson, identified in market-level post information as his son, a fellow silversmith and goldsmith involved in the shop’s active inventory and secondary-market presence.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe stylized M on this piece appears to be a variant form and does not match the standard Pete Morgan hallmark documented in major reference guides. A Navajo jewelry specialist reviewed photos of the hallmark and informally attributed the mark to Pete Morgan — a Navajo (Diné) silversmith and member of one of the better-known families in contemporary Navajo revival silverwork. Pete is the brother of the late master silversmith Harry Morgan and sandcast artist Henry Morgan, and the nephew of silversmiths Charlie Bitsui and Ike Wilson, both prominently represented in the historic C.G. Wallace Collection. The specialist noted that she has seen this same variant mark on other Broken Arrow Traders pieces, supporting a possible recurring workshop association between Pete Morgan and Kay Johnson's shop rather than a one-time occurrence.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSCJ presents this piece as a dual-marked, shop-stamped Broken Arrow Traders bolo tie with a Pete Morgan-associated hallmark. It is best understood within the collaborative world of Southwestern workshop production, where maker, shop, and market attribution can overlap in complex but meaningful ways.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44189367009477,"sku":"00024BOMNJ12548","price":2680.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/A050298.webp?v=1776524742"},{"product_id":"sleeping-beauty-turquoise-bear-claw-navajo-bolo-tie","title":"Vintage Navajo Sleeping Beauty Turquoise \u0026 Honey-Amber Bear Claw Sterling Silver Bolo Tie","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003eCollectors Circle Members receive a welcome offer \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"160\" data-end=\"893\"\u003e\u003cstrong data-start=\"160\" data-end=\"171\"\u003eDesign:\u003c\/strong\u003e Native American compact bolo tie with turquoise cabochon and claw, in a classic Western slide form\u003cbr\u003e\u003cstrong data-start=\"305\" data-end=\"315\"\u003eStone:\u003c\/strong\u003e Turquoise visually consistent with Sleeping Beauty material \u003cbr\u003e\u003cstrong data-start=\"377\" data-end=\"387\"\u003eColor:\u003c\/strong\u003e Saturated blue turquoise with minimal matrix\u003cbr\u003e\u003cstrong data-start=\"433\" data-end=\"444\"\u003eAccent:\u003c\/strong\u003e Genuine animal claw, visually consistent with bear based on morphology, framed by raised leaf appliqués\u003cbr\u003e\u003cstrong data-start=\"549\" data-end=\"559\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver, unmarked\u003cbr\u003e\u003cstrong data-start=\"591\" data-end=\"607\"\u003eAttribution:\u003c\/strong\u003e Consistent with Navajo work\u003cbr\u003e\u003cstrong data-start=\"723\" data-end=\"731\"\u003eEra:\u003c\/strong\u003e Likely 1980s\u003cbr\u003e\u003cstrong data-start=\"745\" data-end=\"756\"\u003eStatus:\u003c\/strong\u003e Unsigned and unstamped vintage Native American bolo tie with clip-style clasp\u003cbr\u003e\u003cstrong data-start=\"835\" data-end=\"849\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: traditional small-to-medium bolo slide size\u003c\/li\u003e\n\u003cli\u003eStone: 3\/4\" x 11\/16\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eSlide: 2 1\/4\" x 1 1\/2\"\u003c\/li\u003e\n\u003cli\u003eTotal length (including tips): 45\" \u003c\/li\u003e\n\u003cli\u003eCord: like-new black braided leather with light marks from installation through the slide clip\u003c\/li\u003e\n\u003cli\u003eTips condition: gently worn with light patina\u003c\/li\u003e\n\u003cli\u003eClasp: unmarked clip-style\u003c\/li\u003e\n\u003cli\u003eWeight: 51.1 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis handcrafted Native American bolo tie is unsigned, a detail consistent with many mid- to-late 20th century Navajo pieces. In the absence of a hallmark, the piece speaks through its materials, silverwork, and composition, which align with Diné jewelry traditions. The pairing of turquoise and claw has deep roots in Native American jewelry, bringing together stone, silver, and natural elements in a compact Western format.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe turquoise provides a vivid blue focus, while hand-chased leaf appliqués frame the composition with quiet restraint. The genuine animal claw features a warm honey-amber tone — lighter than the dark brown or near-black examples most collectors encounter. While the lighter color may initially suggest cougar, the morphology — specifically the broad base and gradual arc — is more consistent with bear, as mountain lion claws tend to be slender and more sharply curved. We present this claw here as genuine and visually consistent with a bear, with the lighter amber tone noted for collectors who want to examine it further.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFinished with black braided leather and gently patinated silver tips, this bolo has the grounded presence collectors look for in traditional Navajo work — symbolic, rooted in heritage, and timeless.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-6a050900-192c-83e8-bf49-4139dd9ecf1d-17\" class=\"\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cp data-start=\"2658\" data-end=\"2920\"\u003eThis bolo tie is unsigned and carries no visible sterling stamp. The Navajo attribution is based on the materials, construction, and overall character. The clip-style clasp is also unmarked, and the absence of a visible patent stamp supports a post-1983 production window \u003cspan data-path-to-node=\"14,2\"\u003e\u003cspan class=\"citation-75\"\u003ewhen evaluated alongside the overall fabrication. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"14,3\"\u003e\u003cspan class=\"citation-75 citation-end-75\"\u003e\u003csup class=\"superscript\" data-turn-source-index=\"15\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2658\" data-end=\"2920\"\u003e\u003cspan data-path-to-node=\"14,2\"\u003e\u003cspan class=\"citation-75\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44189488709829,"sku":"00025BO1C1NJ6013","price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/Screenshot2025-07-15at18-47-57SilverCactusJewelry_Products_NativeAmericanKingmanTurquoise_BearClawSterlingSilverBoloTie_Shopify.png?v=1776524762"},{"product_id":"green-turquoise-cross-pendant-navajo-evelyn-anderson","title":"Extra-Large Navajo Green Turquoise Cluster Sterling Silver Cross Pendant by E. Anderson","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e✨ \u003c\/strong\u003eCollectors Circle members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"618\" data-start=\"64\"\u003e\u003cstrong data-start=\"16\" data-end=\"27\"\u003eDesign:\u003c\/strong\u003e Native American extra-large turquoise cluster cross pendant with balanced cluster placement and elongated cross form\u003cbr data-start=\"144\" data-end=\"147\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"147\" data-end=\"157\"\u003eStone:\u003c\/strong\u003e Eleven green turquoise cabochons consistent with Nevada material\u003cbr data-start=\"222\" data-end=\"225\"\u003e\u003cstrong data-start=\"225\" data-end=\"235\"\u003eColor:\u003c\/strong\u003e Green, smoky teal, olive, and blue-green tones with black, reddish-brown, and yellow matrix\u003cbr data-start=\"327\" data-end=\"330\"\u003e\u003cstrong data-start=\"330\" data-end=\"341\"\u003eAccent:\u003c\/strong\u003e Silver beads at the stone settings\u003cbr data-start=\"376\" data-end=\"379\"\u003e\u003cstrong data-start=\"379\" data-end=\"389\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-start=\"410\" data-end=\"413\"\u003e\u003cstrong data-start=\"413\" data-end=\"424\"\u003eArtist:\u003c\/strong\u003e Signed E. A. | Evelyn Anderson, Navajo silversmith\u003cbr data-start=\"475\" data-end=\"478\"\u003e\u003cstrong data-start=\"478\" data-end=\"486\"\u003eEra:\u003c\/strong\u003e Late 20th century\u003cbr data-start=\"504\" data-end=\"507\"\u003e\u003cstrong data-start=\"507\" data-end=\"518\"\u003eStatus:\u003c\/strong\u003e Signed vintage Native American jewelry piece\u003cbr data-start=\"563\" data-end=\"566\"\u003e\u003cstrong data-start=\"566\" data-end=\"580\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: extra-large statement pendant — covers upper chest area when worn with choker-length Navajo pearls (not included)\u003c\/li\u003e\n\u003cli\u003eLargest stone: 7\/8\" x 1\/2\" (bezel to bezel)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWidth: 3\"\u003c\/li\u003e\n\u003cli\u003eLength: 4 5\/8\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBail: open shepherd's hook designed for direct attachment to heavy-gauge chains, such as foxtail-strung Navajo pearls.\u003c\/li\u003e\n\u003cli\u003eWeight: 29.9 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"1470\" data-start=\"1149\"\u003eThis extra-large Navajo turquoise cross pendant is centered on eleven green cabochons arranged across a substantial sterling silver framework. The stones carry a deep, earthy green palette with scattered blue accents, while black, reddish-brown, and yellow matrix moves through the surface like desert mineral veining. A light polish preserves the stones’ organic character and allows their natural variation to remain central to the piece.\u003c\/p\u003e\n\u003cp data-end=\"1786\" data-start=\"1472\"\u003eThe silverwork is strong and architectural, providing the structure needed to maintain its bold cross form while allowing the turquoise to remain the visual center. The elongated shepherd’s hook bail adds quiet versatility, making the piece suitable for heavier silver chains, multi-strand beads, or Navajo pearls.\u003c\/p\u003e\n\u003cp data-end=\"2048\" data-start=\"1788\"\u003eBalanced in composition and commanding in scale, this pendant reflects the collector appeal of vintage Navajo jewelry: expressive stone character, confident silver construction, and a meaningful connection to a living tradition of family-taught silversmithing.\u003c\/p\u003e\n\u003ch2 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"2399\" data-start=\"2075\"\u003eThis pendant is signed and attributed to Navajo silversmith Evelyn Anderson. Anderson is referenced in Native jewelry market sources as part of a multigenerational Navajo silversmithing family and as the mother of noted artisan Aaron Anderson, who learned silverwork within the family from Evelyn Anderson and Wilfred Henry.\u003c\/p\u003e\n\u003cp data-end=\"2663\" data-start=\"2401\"\u003ePublic biographical information appears limited, and similar initials or surname marks can overlap in Native jewelry references. This attribution is presented cautiously based on the signature, comparable market examples, and available family-lineage references.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":44844781109445,"sku":"00028PEMNJ9916","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/B100134-Photoroom.jpg?v=1776524752"},{"product_id":"taxco-fern-clamper-bracelet-ring-set","title":"1950s TAXCO Sterling Silver Fern Motif Hinged Clamper Bracelet \u0026 Ring Set","description":"\u003cp data-start=\"152\" data-end=\"636\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Segoe UI Emoji',sans-serif; mso-bidi-font-family: 'Segoe UI Emoji';\"\u003e✨\u003c\/span\u003e\u003c\/strong\u003eCollectors Circle members receive a welcome offer \u003c\/p\u003e\n\u003ch2 data-start=\"152\" data-end=\"636\"\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-end=\"108\" data-start=\"97\"\u003eDesign:\u003c\/strong\u003e Mid-century Taxco sterling silver bracelet and ring set with sculptural botanical fern\/frond motifs, a hinged clamper bracelet, and coordinating open-front ring\u003cbr data-end=\"272\" data-start=\"269\"\u003e\u003cstrong data-end=\"285\" data-start=\"272\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-end=\"309\" data-start=\"306\"\u003e\u003cstrong data-end=\"320\" data-start=\"309\"\u003eArtist:\u003c\/strong\u003e Taxco silversmiths | bracelet maker’s mark partially faded and under research; ring hallmark partially struck\u003cbr data-end=\"433\" data-start=\"430\"\u003e\u003cstrong data-end=\"441\" data-start=\"433\"\u003eEra:\u003c\/strong\u003e Circa 1950s\u003cbr data-end=\"456\" data-start=\"453\"\u003e\u003cstrong data-end=\"467\" data-start=\"456\"\u003eStatus:\u003c\/strong\u003e Vintage Taxco set with partially faded bracelet maker’s mark and partially struck ring hallmark; ring coordinates with the bracelet but is not an exact match\u003cbr data-end=\"628\" data-start=\"625\"\u003e\u003cstrong data-end=\"642\" data-start=\"628\"\u003eCondition:\u003c\/strong\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2 data-start=\"152\" data-end=\"636\"\u003e\u003cstrong\u003eBracelet Specifications: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: wide sculptural presence without excess weight\u003c\/li\u003e\n\u003cli\u003eTerminal face width: 2 1\/2\"\u003c\/li\u003e\n\u003cli\u003eInside length: 7 1\/4\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 6 3\/4\" - 7 1\/2\", adjustable via hinge closure \u0026amp; overlapping terminals (M-L per SCJ size guide)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeight: 55.7 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"152\" data-end=\"636\"\u003e\u003cstrong\u003eRing Specifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: dramatic coordinating botanical motif \u0026amp; design\u003c\/li\u003e\n\u003cli\u003eFace width: 1.25\"\u003c\/li\u003e\n\u003cli\u003eSize: 9 with slightly adjustable open front\u003c\/li\u003e\n\u003cli\u003eWeight: 5.9 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch2 data-start=\"152\" data-end=\"636\"\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"1504\" data-start=\"1200\"\u003eThis vintage Taxco bracelet and ring set brings together bold mid-century silverwork with a sculptural botanical fern motif. The bracelet has a strong hinged clamper form, with overlapping terminals and high-relief frond detailing that gives the piece movement, dimension, and a confident wrist presence.\u003c\/p\u003e\n\u003cp data-end=\"1770\" data-start=\"1506\"\u003eThe coordinating ring echoes the same fern-inspired silver vocabulary while remaining a complementary companion rather than an exact match. Its open-front construction offers slight flexibility, making the set feel collected and organic rather than factory-paired.\u003c\/p\u003e\n\u003cp data-end=\"1979\" data-start=\"1772\"\u003eThe brighter sterling finish highlights the raised botanical contours and curled silverwork, giving the set a polished, wearable presence while preserving the character expected of fine vintage Taxco silver.\u003c\/p\u003e\n\u003ch2 data-end=\"2010\" data-start=\"1981\" data-section-id=\"1moto4s\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"2010\" data-start=\"1984\"\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-end=\"2387\" data-start=\"2012\"\u003eThe interior of the bracelet bears a partially faded circular Taxco maker’s mark. The outer ring appears to read\u003cstrong\u003e \u003c\/strong\u003eSTERLING 925 \/ TAXCO MEX, with overlapping central initials that may read LGP or LGPP. Research points to P. Lopez G. as a possible lead among documented Taxco silversmiths, but the stamp is not clear enough to confirm a named maker at this time.\u003c\/p\u003e\n\u003cp data-end=\"2700\" data-start=\"2389\"\u003eThe coordinating ring also bears a partially struck hallmark consistent with mid-century Taxco marking conventions. The stamp appears to have been partially cut off during production, leaving too little identifying detail to research or attribute the ring to a specific silversmith with confidence at this time.\u003c\/p\u003e\n\u003cp data-end=\"2915\" data-start=\"2702\"\u003eTogether, the marks, sterling content, hinged clamper construction, open-front ring form, and sculptural repoussé work support a mid-century Taxco attribution, circa 1950s. The maker remains under active research.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":45078257893573,"sku":"00026BRRNJ","price":435.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/A220262.jpg?v=1776524830"},{"product_id":"navajo-royston-turquoise-adjustable-sterling-ring","title":"Royston Turquoise Sterling Silver Chased Adjustable Ring by Navajo Artist R. MAYES","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e✨ \u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-start=\"16\" data-end=\"27\"\u003eDesign:\u003c\/strong\u003e Native American stone-forward ring with elongated vertical turquoise cabochon\u003cbr data-start=\"105\" data-end=\"108\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"108\" data-end=\"118\"\u003eStone:\u003c\/strong\u003e Turquoise consistent with Royston material\u003cbr data-start=\"161\" data-end=\"164\"\u003e\u003cstrong data-start=\"164\" data-end=\"174\"\u003eColor:\u003c\/strong\u003e Vivid blue-green with warm golden matrix\u003cbr data-start=\"215\" data-end=\"218\"\u003e\u003cstrong data-start=\"218\" data-end=\"229\"\u003eAccent:\u003c\/strong\u003e Chased crescent shoulder band applied over the shank\u003cbr data-start=\"282\" data-end=\"285\"\u003e\u003cstrong data-start=\"285\" data-end=\"295\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-start=\"316\" data-end=\"319\"\u003e\u003cstrong data-start=\"319\" data-end=\"330\"\u003eArtist:\u003c\/strong\u003e Signed R. MAYES | Robert Mayes, Navajo silversmith\u003cbr data-start=\"381\" data-end=\"384\"\u003e\u003cstrong data-start=\"384\" data-end=\"392\"\u003eEra:\u003c\/strong\u003e Circa late 1980s\u003cbr data-start=\"409\" data-end=\"412\"\u003e\u003cstrong data-start=\"412\" data-end=\"423\"\u003eStatus:\u003c\/strong\u003e Signed vintage period piece\u003cbr data-start=\"451\" data-end=\"454\"\u003e\u003cstrong data-start=\"454\" data-end=\"468\"\u003eCondition:\u003c\/strong\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium-large with high visual impact\u003c\/li\u003e\n\u003cli\u003eStone: 1 1\/8\" x 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 1\/2\"\u003c\/li\u003e\n\u003cli\u003eFace length: 1 1\/8\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRing size: 7.25 (adjustable to approx. full size up)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeight: 12.9 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"148\" data-end=\"660\"\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"1285\" data-start=\"1004\"\u003eThis Navajo ring is centered on a vivid blue-green turquoise cabochon with warm golden matrix and strong visual movement. The stone’s color range, matrix patterning, and organic depth are consistent with Royston district material, giving the ring a vibrant, stone-forward presence.\u003c\/p\u003e\n\u003cp data-end=\"1536\" data-start=\"1287\"\u003eThe silverwork is intentionally restrained, with a slim bezel that allows the turquoise to command the composition. Chased crescent details along the shoulders introduce subtle movement while keeping the overall design clean, balanced, and wearable.\u003c\/p\u003e\n\u003cp data-end=\"1909\" data-start=\"1538\"\u003eThe adjustable shank carries quiet structural strength, remaining wider where it meets the face and tapering at the center for comfort. Signed R. MAYES and attributed to Navajo silversmith Robert Mayes, this late-1980s ring reflects a period of Southwestern studio jewelry where bold turquoise cabochons and minimal silverwork were often paired for maximum visual impact.\u003c\/p\u003e\n\u003ch2 data-start=\"148\" data-end=\"660\"\u003e\u003cstrong\u003e\u003cstrong data-start=\"2046\" data-end=\"2072\"\u003eHallmark \u0026amp; Maker Notes: \u003c\/strong\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"571\" data-end=\"604\"\u003eRobert Mayes is referenced in the secondary market as a Navajo silversmith associated with sterling silver jewelry signed R. MAYES or RM. Public biographical information appears limited, so this attribution is based on the hallmark, comparable market references, and the construction of the piece. His known market examples often place emphasis on the stone, pairing turquoise or other cabochons with restrained sterling silverwork.\u003c\/p\u003e\n\u003cp data-start=\"571\" data-end=\"604\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":45079939678405,"sku":"00031R1NJ","price":335.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/A220340.jpg?v=1776524857"},{"product_id":"navajo-pearls-choker-presley-della-curley-25mm","title":"Native American Statement Hand-Stamped Sterling Silver Navajo Pearls Choker 1\" Bead Necklace by P. \u0026 D. CURLEY","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e✨ \u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"135\" data-end=\"704\"\u003e\u003cstrong data-start=\"135\" data-end=\"146\"\u003eDesign:\u003c\/strong\u003e Native American choker-length Navajo pearl necklace with oversized hand-fabricated sterling silver beads\u003cbr data-start=\"251\" data-end=\"254\"\u003e\u003cstrong data-start=\"254\" data-end=\"264\"\u003eStone:\u003c\/strong\u003e None\u003cbr data-start=\"269\" data-end=\"272\"\u003e\u003cstrong data-start=\"272\" data-end=\"282\"\u003eColor:\u003c\/strong\u003e Lustrous sterling silver with hand-stamped oxidized impressions\u003cbr data-start=\"337\" data-end=\"340\"\u003e\u003cstrong data-start=\"340\" data-end=\"351\"\u003eAccent:\u003c\/strong\u003e Uniform 1\" bead construction with restrained mid-section stampwork and substantial hook clasp\u003cbr data-start=\"445\" data-end=\"448\"\u003e\u003cstrong data-start=\"448\" data-end=\"458\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-start=\"479\" data-end=\"482\"\u003e\u003cstrong data-start=\"482\" data-end=\"493\"\u003eArtist:\u003c\/strong\u003e Signed PC | Presley and Della Curley, Navajo silversmiths\u003cbr data-start=\"551\" data-end=\"554\"\u003e\u003cstrong data-start=\"554\" data-end=\"562\"\u003eEra:\u003c\/strong\u003e Late 20th century\u003cbr data-start=\"580\" data-end=\"583\"\u003e\u003cstrong data-start=\"583\" data-end=\"594\"\u003eStatus:\u003c\/strong\u003e Signed vintage Navajo pearl collector necklace\u003cbr data-start=\"641\" data-end=\"644\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"644\" data-end=\"658\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"lorw0z\" data-start=\"706\" data-end=\"732\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"734\" data-end=\"1129\"\u003e\n\u003cli data-section-id=\"wlfvcb\" data-start=\"734\" data-end=\"835\"\u003eWear scale: bold choker-length necklace — rests close to the base of the neck on most wearers\u003c\/li\u003e\n\u003cli data-section-id=\"14abz86\" data-start=\"836\" data-end=\"900\"\u003eBead size: 25–26 mm, strung on traditional foxtail chain\u003c\/li\u003e\n\u003cli data-section-id=\"1e4oise\" data-start=\"901\" data-end=\"1054\"\u003eLength (including clasp): 16 7\/8\"  (model shown has a 12 1\/2\" neck, and average neck sizes may benefit from a 3 – 4\" extender for a more relaxed drape)\u003c\/li\u003e\n\u003cli data-section-id=\"1o0r17n\" data-start=\"1055\" data-end=\"1101\"\u003eClasp: substantial handmade hook clasp\u003c\/li\u003e\n\u003cli data-section-id=\"11vssqc\" data-start=\"1102\" data-end=\"1129\"\u003eWeight: 153.5 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch2 data-end=\"660\" data-start=\"148\"\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"MsoNormal\"\u003eThis strand of Native American-made beads presents a dramatic row of unusually large silver beads defined less by ornament than by proportion — a measured sequence of substantial, hand-formed elements assembled into a collar-length arrangement. Each bead was individually shaped, joined, and stamped in an understated fashion before being strung together, allowing the visual rhythm to arise from form and spacing rather than dense decoration.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe hallmark stamped on the terminal bead identifies the work of Della and Presley Curley, whose jewelry is recognized across documented examples for consistent construction and finishing. Even in late-twentieth-century work, producing matched beads of this scale required careful forming, soldering, and individual stamping — a demanding process that highlights the Curleys’ superior artistry. These Navajo pearls are a testament to the harmonious, coordinated bench practice typical of their partnership, where each artisan's vision reads as a continuous form.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSilver bead necklaces developed from early Diné silversmithing in the late nineteenth century, following the adoption of metalworking fabrication learned over the years through contact with Spanish and Mexican smiths. By the early twentieth century, hollow beads had become a distinctive element of Navajo adornment, valued both for their aesthetics and as portable wealth. These pearls demonstrate adherence to methods passed down through generations and the inherent quality of traditional Navajo silverwork.\u003c\/p\u003e\n\u003ch2 data-end=\"907\" data-start=\"539\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker's Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"550\" data-start=\"100\"\u003eDella and Presley Curley are a Navajo husband-and-wife silversmith team active from the 1970s through the 1990s, signing their jewelry with a shared “PC” hallmark. Their recorded working period follows the waning of the traditional trading-post system, when many Diné artisans carried on time-honored silversmithing methods within independent family workshops, where knowledge passed bench to bench rather than through formal studios.\u003c\/p\u003e\n\u003cp data-end=\"894\" data-start=\"552\"\u003eAs with many makers of this generation, their history is preserved primarily in their creations rather than in print. Attribution rests in the metal — the hallmark, steady hand fabrication, and crisp embellishments — all elements associated with the growing preference for artisan recognition and robust, well-crafted Navajo silverwork in the late twentieth century.\u003c\/p\u003e\n\u003cp data-end=\"1582\" data-start=\"896\"\u003eThe shared mark reflects a household bench practice common in Navajo jewelry-making, where collaboration often mattered just as much as individual authorship. With limited written record, understanding their work has developed through comparison of authenticated examples and the recurring characteristics recognized by collectors over time. Although later activity has not been formally documented, their work is placed within the Navajo silverwork revival and the decades that followed, when reclaiming historic forms in jewelry evolved from renewed interest into established tradition — a quiet lineage living not in catalogs but with those who recognize the heritage reflected in each piece.\u003c\/p\u003e\n\u003cp data-end=\"1582\" data-start=\"896\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":45780977320133,"sku":"00051NENJ9974","price":3278.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/2090120-2.jpg?v=1776524878"},{"product_id":"navajo-pearls-graduated-necklace-leo-yazzie","title":"Native American Navajo Smooth Sterling Silver Graduated Navajo Pearls Bead Necklace by L. YAZZIE","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e✨ \u003c\/strong\u003eCollectors Circle members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-start=\"198\" data-end=\"209\"\u003eDesign:\u003c\/strong\u003e Native American graduated Navajo pearl necklace with smooth hollow sterling silver saucer beads\u003cbr data-start=\"305\" data-end=\"308\"\u003e\u003cstrong data-start=\"308\" data-end=\"318\"\u003eStone:\u003c\/strong\u003e None\u003cbr data-start=\"323\" data-end=\"326\"\u003e\u003cstrong data-start=\"326\" data-end=\"336\"\u003eColor:\u003c\/strong\u003e Bright satin sterling silver with minor scattered oxidation\u003cbr data-start=\"391\" data-end=\"394\"\u003e\u003cstrong data-start=\"394\" data-end=\"405\"\u003eAccent:\u003c\/strong\u003e None\u003cbr data-start=\"410\" data-end=\"413\"\u003e\u003cstrong data-start=\"413\" data-end=\"423\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-start=\"444\" data-end=\"447\"\u003e\u003cstrong data-start=\"447\" data-end=\"458\"\u003eArtist:\u003c\/strong\u003e Signed \"LY\" | Leo Yazzie, Navajo silversmith\u003cbr data-start=\"503\" data-end=\"506\"\u003e\u003cstrong data-start=\"506\" data-end=\"514\"\u003eEra:\u003c\/strong\u003e Late 20th century\u003cbr data-start=\"532\" data-end=\"535\"\u003e\u003cstrong data-start=\"535\" data-end=\"546\"\u003eStatus:\u003c\/strong\u003e Signed vintage Navajo pearl necklace with classic graduated beadwork and hand-fabricated construction\u003cbr data-start=\"648\" data-end=\"651\"\u003e\u003cstrong data-start=\"651\" data-end=\"665\"\u003eCondition:\u003c\/strong\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSpecifications:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: classic matinee length, falling between collarbone and bust on most wearers\u003c\/li\u003e\n\u003cli\u003eCenter bead diameter: 25 mm (approx. 1\")\u003c\/li\u003e\n\u003cli\u003eGraduated bead range: 11-25 mm, strung on link chain\u003c\/li\u003e\n\u003cli\u003eTotal length: 22 3\/8\" (including clasp)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClasp: traditional wire hook and eye\u003c\/li\u003e\n\u003cli\u003eWeight: 100.1 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"148\" data-end=\"660\"\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"MsoNormal\"\u003eRather than relying on surface ornament, this necklace demonstrates the quiet confidence of classic Navajo beadwork, where proportion, silhouette, and craftsmanship define the design. The smoothly graduated strand builds naturally toward an oversized 25 mm center bead before tapering evenly toward the clasp, creating balanced visual weight and an elegant drape along the neckline. Individually linked hollow beads articulate freely, allowing the strand to move comfortably while maintaining its sculptural profile.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEach bead was hand-fabricated from sterling silver sheet, soldered into a hollow form, then finished with smooth surfaces that place the emphasis on contour rather than decoration. Subtle variations among the beads reflect the individuality expected of bench-made work, giving the necklace a character distinct from machine-perfect production while preserving the harmony of the overall composition.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSilver bead necklaces became part of Navajo silversmithing during the late nineteenth century as metalworking traditions evolved throughout the Southwest. By the early twentieth century, hollow sterling beads had become enduring symbols of both personal adornment and portable silver wealth. Their enduring appeal continues to rest in the balance between refined simplicity, skilled fabrication, and timeless versatility.\u003c\/p\u003e\n\u003ch2 data-start=\"539\" data-end=\"907\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"MsoNormal\"\u003eThe necklace is signed \"LY\" on the silver tag at the closure. This maker's mark is associated with Leo Yazzie, a Navajo silversmith from the Black Mesa region of Arizona who later worked in Flagstaff. His introduction to silversmithing began while attending Northern Arizona University, where a metalsmithing elective redirected his studies toward jewelry. By the early 1980s, he was working as a full-time silversmith, a career that continued for more than three decades before his retirement.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eYazzie's work reflects influences rooted in home and family. He has cited the storm-pattern geometry found in his mother’s and grandmother’s Navajo weaving, along with Navajo spiritual teachings, as formative sources. Rather than relying on heavy surface ornament, his designs tend to favor measured spacing and deliberate stone placement, where the pattern is created by the stones themselves. When decorative elements such as stamping and chasing are utilized, they are applied with restraint and precision, supporting the form rather than dominating it.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDuring his active years, Yazzie worked primarily in sterling silver, sometimes incorporating gold. He preferred fine turquoise alongside coral, sugilite, lapis, and opal. Precisely fitted inlay and controlled settings became consistent features of his mature pieces, emphasizing balance between material and form.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eLeo Yazzie's pieces have been widely shown through regional and national galleries, earning juried recognition and developing a strong collector following. With his retirement, signed examples now represent completed studio work from his late 20th- and early 21st-century production period.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":45781932114117,"sku":"00052NE","price":1437.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/2090099.jpg?v=1776524897"},{"product_id":"graduated-navajo-pearls-chased-necklace","title":"Late 20th Century Native American Hand-Chased Sterling Silver Graduated Navajo Pearls Bead Necklace","description":"\u003cp style=\"text-align: center;\" data-section-id=\"13hjq2b\" data-start=\"99\" data-end=\"113\"\u003e\u003cstrong\u003e✨ \u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2 data-section-id=\"13hjq2b\" data-start=\"99\" data-end=\"113\"\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"115\" data-end=\"719\"\u003e\u003cstrong data-start=\"115\" data-end=\"126\"\u003eDesign:\u003c\/strong\u003e Native American graduated Navajo pearl necklace with oversized, hollow sterling saucer beads, and classic chased petal decoration\u003cbr data-start=\"247\" data-end=\"250\"\u003e\u003cstrong data-start=\"250\" data-end=\"260\"\u003eStone:\u003c\/strong\u003e None\u003cbr data-start=\"265\" data-end=\"268\"\u003e\u003cstrong data-start=\"268\" data-end=\"278\"\u003eColor:\u003c\/strong\u003e Satin sterling silver finish with moderate patina\u003cbr data-start=\"328\" data-end=\"331\"\u003e\u003cstrong data-start=\"331\" data-end=\"342\"\u003eAccent:\u003c\/strong\u003e Fluted terminal beads, fitted spacers below the cones, and hand-chased decoration\u003cbr data-start=\"456\" data-end=\"459\"\u003e\u003cstrong data-start=\"459\" data-end=\"469\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver (unmarked)\u003cbr data-start=\"490\" data-end=\"493\"\u003e\u003cstrong data-start=\"493\" data-end=\"509\"\u003eAttribution:\u003c\/strong\u003e Consistent with Navajo work\u003cbr data-start=\"537\" data-end=\"540\"\u003e\u003cstrong data-start=\"540\" data-end=\"548\"\u003eEra:\u003c\/strong\u003e Late 20th century\u003cbr data-start=\"566\" data-end=\"569\"\u003e\u003cstrong data-start=\"569\" data-end=\"580\" data-is-only-node=\"\"\u003eStatus:\u003c\/strong\u003e Unsigned and unstamped vintage sterling Navajo pearl necklace with period-appropriate construction\u003cbr data-start=\"656\" data-end=\"659\"\u003e\u003cstrong data-start=\"659\" data-end=\"673\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"lorw0z\" data-start=\"721\" data-end=\"747\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"749\" data-end=\"1099\"\u003e\n\u003cli data-section-id=\"15ixmz1\" data-start=\"749\" data-end=\"826\"\u003eWear scale: opera length — falls at or below the bust on most wearers\u003c\/li\u003e\n\u003cli data-section-id=\"2eupu4\" data-start=\"827\" data-end=\"870\"\u003eCenter bead size: 25 mm, approx. 1\"\u003c\/li\u003e\n\u003cli data-section-id=\"6y16bw\" data-start=\"871\" data-end=\"943\"\u003eGraduated bead range: 10–25 mm, strung on vinyl-coated wire core\u003c\/li\u003e\n\u003cli data-section-id=\"1fg85x3\" data-start=\"944\" data-end=\"983\"\u003eTotal length: 30 1\/2\" (including clasp)\u003c\/li\u003e\n\u003cli data-section-id=\"68ad94\" data-start=\"984\" data-end=\"1029\"\u003eClasp: traditional wire hook-and-eye clasp\u003c\/li\u003e\n\u003cli data-section-id=\"i26qav\" data-start=\"1030\" data-end=\"1099\"\u003eWeight: 161.8 grams — substantial for a strand of this length\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-end=\"660\" data-start=\"148\"\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"MsoNormal\"\u003eThis Native American Navajo pearl necklace follows the long, graduated strand format that became especially favored in the late twentieth century, when silversmiths emphasized balanced proportions and substantial silver weight. The strand builds visually into a single oversized center bead, then tapers evenly toward the terminals so the necklace reads as one continuous line rather than a sequence of parts.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEach piece was formed from sterling sheet, soldered into a hollow structure, and finished into a flattened lentil profile with seams that nearly disappear into the curvature. Decoration appears as petal-like chased motifs that travel from the seam toward the drill hole, following the contour of the bead. The pattern adds gentle movement while preserving the visual continuity of the strand.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSilver bead necklaces became part of Navajo metalwork in the late nineteenth century as silversmithing techniques spread throughout the Southwest. By the early twentieth century, hollow sterling spheres were commonly worn both as adornment and as portable silver wealth.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eToday, substantial strands like this remain a clear expression of Navajo silverwork—durable, elegant, and timeless.\u003c\/p\u003e\n\u003ch2 data-end=\"2050\" data-start=\"2025\" data-section-id=\"1xvxpws\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis necklace is unsigned. The Navajo attribution is based on the graduated, hollow bead construction, chased petal decoration, fluted terminal beads, hook-and-eye, and overall late 20th-century Navajo pearl format.\u003c\/p\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-6a07bac2-d1f0-83e8-be84-bcb33d28de06-62\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-165\" data-turn-id-container=\"request-6a07bac2-d1f0-83e8-be84-bcb33d28de06-62\" data-turn-id=\"request-6a07bac2-d1f0-83e8-be84-bcb33d28de06-62\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"d8038fad-6e79-4f94-a963-a1aab9d35ab0\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":45787029569733,"sku":"00053NENJ12703","price":2475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/2090046.jpg?v=1776524915"},{"product_id":"tobe-turpen-turquoise-cluster-1950s-pin-brooch-navajo","title":"1950s Native American Navajo Persian Turquoise Rosette Cluster Sterling Pin Brooch by TOBE TURPEN","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e✨\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Collectors Circle members receive a welcome offer\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eAt a Glance:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Mid-Century trading post Navajo turquoise cluster sterling pin brooch with hand-laid rosette construction\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStone:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Thirty high-domed turquoise cabochons consistent with Persian material\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eColor:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Fine spiderweb matrix with natural variation, spread across a cluster that ranges from sky to vivid blues\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAccent:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eHandmade and hand-assembled rope details with silver shots\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMetal:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e .925 sterling silver (unmarked)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAttribution:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eEngraved TT | Tobe Turpen trading post \u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEra:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Circa 1950s, postwar trading-post period\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStatus:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Shop\u003c\/span\u003e-marked turquoise cluster, unmarked silver pin brooch associated with Navajo work (not artist-signed)\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium-large statement pin best suited for light denim and similar jackets, mantas, or scarves — structured fabrics with enough support for its weight\u003c\/li\u003e\n\u003cli\u003eCenter turquoise: 1\/4\" x 5\/16\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eDiameter: 2 3\/8\"\u003c\/li\u003e\n\u003cli\u003eWeight: 41 grams — substantial for a brooch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"148\" data-end=\"660\"\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"1321\" data-start=\"1103\"\u003eThis turquoise cluster brooch carries the quiet authority collectors look for in trading-post jewelry: a hand-built turquoise cluster, a substantial silver backplate, original pin assembly, and a maker's mark associated with a historical Gallup trading post.\u003c\/p\u003e\n\u003cp data-end=\"1685\" data-start=\"1323\"\u003eThe bezels were hand-formed, the cabochons were hand-assembled, and the stones were individually placed in concentric rings with a clear center point. The layout achieves the kind of symmetry only a human hand can produce — balanced in overall composition, with natural variations in spacing, dome height, stone shape, and accent alignment that come from working by eye rather than by template. That hand-laid quality gives the brooch a sense of order without stiffness — a balanced cluster with the natural rhythm of the era's bench-made work.\u003c\/p\u003e\n\u003cp data-end=\"2042\" data-start=\"1687\"\u003eThe matched turquoise brings brightness and depth to the composition. Color moves from a softer sky-blue to more saturated shades, with a fine spiderweb matrix visible throughout the cluster. A longtime former owner of a Southwestern trading post, familiar with vintage turquoise, identified the material as likely Persian turquoise based on dome style, character, and period context. The attribution was subsequently confirmed by SCJ's appraiser, and it's therefore presented as an informed visual assessment by two industry professionals, rather than a laboratory origin analysis. While Iranian turquoise is most famous for a clear robin's egg appearance, documented examples show spiderweb Persian turquoise developed a following of its own in the U.S. According to reference material, the import of Persian turquoise began in the early 1890s and continued until 1979, when the U.S. implemented the first major wave of trade sanctions, cutting off most direct imports from Iran.\u003c\/p\u003e\n\u003cp data-end=\"2975\" data-start=\"2788\"\u003eThe silverwork supports the cluster without distracting from it. The heavier backplate gives the brooch substance, while handmade rope details and silver balls add texture and dimension between the stones. The original pin assembly and unmarked silver content are consistent with older Native American jewelry made for trading-post circulation, where shop marks, purity stamps, and artist signatures were not always applied with modern consistency.\u003c\/p\u003e\n\u003ch2 data-start=\"1822\" data-end=\"2234\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis brooch is stamped TT on the reverse — a mark documented in reference sources as the retail shop control mark of Tobe Turpen’s Trading Post in Gallup, New Mexico. It is a shop mark, not an artist’s signature, and does not identify the individual maker.\u003c\/p\u003e\n\u003cp\u003eThat distinction matters. A related mark — a tilde, sometimes accompanied by TT — is associated with Fred Thompson (1922–2002), a Diné silversmith whose career began at age 15 working for Turpen and whose jewelry remained closely tied to the post through the 1950s. This brooch carries the plain TT mark, without the tilde, placing it with the shop’s control mark rather than Thompson’s personal hallmark.\u003c\/p\u003e\n\u003cp\u003eThe Turpen family story reaches back to the early 1900s, when Tobe Turpen Sr. came west from Texas and entered the trading business through family connections in Arizona. He worked in reservation trade settings, learned the Navajo language at Blue Canyon, moved through the Gallup network, and in 1939 opened his own post in a building purchased from J. L. Hubbell on North Third Street.\u003c\/p\u003e\n\u003cp\u003eAfter World War II, Tobe Turpen Jr. joined his father in the business and later took ownership in the mid-1950s. As highway construction and changing travel routes reshaped Gallup, the post eventually relocated from North Third Street to South Second Street. During the boom years of Native American jewelry collecting, Tobe Turpen’s supplied retailers far beyond Gallup and built a strong reputation among dealers for quality material, active trade relationships, and steady jewelry placement.\u003c\/p\u003e\n\u003cp\u003eThe reverse of this brooch adds another layer to that working history. In addition to the TT shop mark, the back shows a scratched notation that appears to read “MIOE” or similar, with a small cross mark below it, along with remnants of two old paper tags. These are consistent with practical shop, pawn, inventory, or resale notations — the kind of back-of-piece marks used as jewelry moved through retail and trading channels. They are not maker’s marks and do not change the attribution.\u003c\/p\u003e\n\u003cp\u003eThis is where the broader story comes into focus. Rail and highway travel helped introduce Native American and Southwestern silverwork to a wider public, but Gallup posts helped sustain the production networks behind it. They connected makers, materials, buyers, wholesalers, and retailers at the point where jewelry was still being shaped by hand, stone by stone and setting by setting.\u003c\/p\u003e\n\u003cp\u003eFor collectors, that matters because jewelry associated with mid-century trading-post production often retains the character of individual bench work rather than strict duplication from a single master pattern. This brooch reflects that moment: demand was expanding, the market was reaching farther, but fabrication still depended on the maker’s eye and hand. SCJ presents the piece as a Tobe Turpen-associated, Navajo-made turquoise cluster brooch from the postwar Gallup trading-post period, with no individual maker assigned.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"3787\" data-end=\"4234\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":45814354051269,"sku":"00054PMNJ13017","price":1115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/2140002.jpg?v=1776524915"},{"product_id":"vincent-platero-sterling-thunderbird-earrings","title":"Thunderbird Sampler Drop Post Earrings with Deep Stamps \u0026 Chasing by Navajo Artisan V. J. PLATERO","description":"\u003cp style=\"text-align: center;\"\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e Native American sterling silver Thunderbird sampler earrings with domed concho tops, two-part construction, and two distinct hand-stamped \u0026amp; chased drops\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Signed VJP | Vincent Joe Platero Sr., Navajo silversmith\u003cbr\u003e\u003cstrong\u003eEra:\u003c\/strong\u003e Contemporary \u003cspan\u003e— \u003c\/span\u003elate 20th to early 21st century\u003cbr\u003e\u003cstrong\u003eStatus:\u003c\/strong\u003e Signed Navajo silver earrings with distinct sampler-format Thunderbird designs\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: lightweight, easy-moving, with noticeable graphic presence\u003c\/li\u003e\n\u003cli\u003eTotal length: 2\"\u003c\/li\u003e\n\u003cli\u003eWidth: 1\" \u003c\/li\u003e\n\u003cli\u003eClosure: posts with clutch disc backs\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 4.5 grams each\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThese signed Thunderbird earrings by Vincent Joe Platero Sr. center on one of the most enduring motifs in Southwestern silverwork. Platero gives the form a strong graphic read through silhouette, spacing, hand-cut stampwork, chasing, and oxidized recesses rather than stone or added ornament.\u003c\/p\u003e\n\u003cp\u003eThe pair has unusual collector interest because the Thunderbird drops are not identical. One is organized around a diamond-and-star center with sharper geometric structure, while the other opens from a sunburst motif with a more spacious radial layout. Together, they read as a compact sampler of Platero’s stampwork vocabulary, with each earring carrying its own handmade character.\u003c\/p\u003e\n\u003cp\u003eThe domed concho tops repeat the radiating language below, tying the upper and lower elements together with clarity. At 2\" long and approx. 4.5 grams each, the earrings have enough presence to register clearly on the ear while remaining light, comfortable, and easy to wear.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe VJP hallmark is registered to Vincent Joe Platero Sr., a Navajo silversmith born in 1957 in Tohajiilee, New Mexico, and associated with the Edgewater and Black Streak Clans. Platero learned silversmithing from his mother, Helen Chavez, and is known for deep hand-cut stampwork, including the demanding practice of fabricating his own stamps.\u003c\/p\u003e\n\u003cp\u003eHis jewelry has received recognition at the New Mexico State Fair and the Denver Indian Market and has been carried by galleries across the country. This signed pair reflects the graphic clarity, visible handwork, and strong maker identity collectors look for in Platero silver.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46027851464901,"sku":"00056EANJ","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/4100029-2.png?v=1776525026"},{"product_id":"turquoise-mountain-cluster-bracelet-92-grams","title":"Natural Turquoise Mountain Spiderweb Cluster Sterling Silver Navajo Cuff Bracelet by M. SPENCER","description":"\u003cp data-end=\"1018\" data-start=\"648\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2 data-end=\"1018\" data-start=\"648\"\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-start=\"175\" data-end=\"186\"\u003eDesign:\u003c\/strong\u003e Native American signed spiderweb turquoise cluster cuff bracelet with polished heavy-gauge solid shank\u003cbr data-start=\"358\" data-end=\"361\"\u003e\u003cstrong data-start=\"361\" data-end=\"371\"\u003eStone:\u003c\/strong\u003e Natural spiderweb turquoise consistent with Turquoise Mountain material\u003cbr data-start=\"451\" data-end=\"454\"\u003e\u003cstrong data-start=\"454\" data-end=\"464\"\u003eColor:\u003c\/strong\u003e Sky-blue and pale blue stones with green spots and dense brown and golden spiderweb matrix\u003cbr data-start=\"546\" data-end=\"549\"\u003e\u003cstrong data-start=\"549\" data-end=\"560\"\u003eAccent:\u003c\/strong\u003e Silver beads at the stone settings\u003cbr data-start=\"603\" data-end=\"606\"\u003e\u003cstrong data-start=\"606\" data-end=\"619\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-start=\"664\" data-end=\"667\"\u003e\u003cstrong data-start=\"667\" data-end=\"678\"\u003eArtist:\u003c\/strong\u003e Signed M. Spencer | Navajo silversmith Mary Ann Spencer, Gallup, NM\u003cbr data-start=\"746\" data-end=\"749\"\u003e\u003cstrong data-start=\"749\" data-end=\"757\"\u003eEra:\u003c\/strong\u003e Late 20th century\u003cbr data-start=\"775\" data-end=\"778\"\u003e\u003cstrong data-start=\"778\" data-end=\"789\" data-is-only-node=\"\"\u003eStatus:\u003c\/strong\u003e Signed Navajo turquoise cluster cuff and maker-labeled\u003cbr data-start=\"814\" data-end=\"817\"\u003e\u003cstrong data-start=\"817\" data-end=\"831\"\u003eCondition:\u003c\/strong\u003e Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium-width cuff with substantial visual presence\u003c\/li\u003e\n\u003cli\u003eLargest turquoise: 3\/4\" × 9\/16\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 1 9\/16\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 7\/8\" \u003c\/li\u003e\n\u003cli\u003eGap: 1 1\/2\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 7 3\/8\" (L per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 92 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTwelve natural spiderweb turquoise cabochons are set in two staggered rows across the center face — rounded ovals, elongated forms, and tighter cabochons positioned so the color and web pattern travel naturally from one stone to the next. The ground shifts from soft sky-blue to blue-green, with pale blue passages and green spotting laced by a fine web of golden to red-brown matrix. Each carries its own character; together they read as a carefully chosen suite.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSpiderweb patterning is among the most sought expressions of Turquoise Mountain material, and this cluster shows why — the webbing is fine, consistent, and distributed across stones of genuine visual range rather than selected for uniformity.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA polished heavy-gauge shank rises cleanly beneath the cluster, bright and substantial against the aged complexity of the turquoise. Silver beads punctuate the settings without crowding them, and the bezels are tight and even — the confident, finished presence collectors look for in Mary Ann Spencer's work.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"577\" data-start=\"0\"\u003eThe shank is stamped “M. SPENCER Sterling,” Mary Ann Spencer’s recognized hallmark. An accompanying adhesive label reading “MARY ANN SPENCER TURQ MNTN” identifies both the maker and the stated turquoise source. Turquoise Mountain is a trade name associated with material from the Kingman, Arizona region; in this listing, the stone attribution is supported by the accompanying label and the bracelet’s visual character rather than independent gemological verification. For a vintage or pre-loved piece, that kind of surviving material notation is a meaningful collector detail.\u003c\/p\u003e\n\u003cp data-end=\"951\" data-start=\"579\"\u003eSpencer is a Navajo silversmith based in Gallup, New Mexico. Market and gallery biographies commonly note that she learned silversmithing at age 13 within a working artist community on the Navajo reservation. Her multi-stone cluster cuffs are among her most recognized and collected formats, and her work appears regularly in the Southwest gallery and trading-post market.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1234\" data-start=\"953\"\u003eCollectors and dealers often associate Spencer’s work with heavy-gauge sterling construction, strong turquoise selection, and clean, confident fabrication. This cuff reflects those qualities through its substantial shank, even bezels, balanced stone placement, and polished finish.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1234\" data-start=\"953\"\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46062114111685,"sku":"00057BRMNJ","price":1785.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/4100002.jpg?v=1776524986"},{"product_id":"1970s-persian-turquoise-squash-blossom-necklace","title":"297-Gram Navajo Persian Spiderweb Turquoise Four-Petal Squash Blossom Necklace SIGNED GV","description":"\u003cp data-start=\"168\" data-end=\"182\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2 data-start=\"168\" data-end=\"182\"\u003e\u003cstrong\u003eAt a Glance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"184\" data-end=\"888\"\u003e\u003cstrong data-start=\"184\" data-end=\"195\"\u003eDesign:\u003c\/strong\u003e Native American squash blossom necklace with five-stone naja, open four-petal blossoms, and deeply oxidized patina\u003cbr data-start=\"358\" data-end=\"361\"\u003e\u003cstrong data-start=\"361\" data-end=\"371\"\u003eStone:\u003c\/strong\u003e Turquoise cabochons consistent with Persian material\u003cbr data-start=\"454\" data-end=\"457\"\u003e\u003cstrong data-start=\"457\" data-end=\"467\"\u003eColor:\u003c\/strong\u003e Sky-blue turquoise with brown spiderweb matrix\u003cbr data-start=\"531\" data-end=\"534\"\u003e\u003cstrong data-start=\"534\" data-end=\"545\"\u003eAccent:\u003c\/strong\u003e Rope-twist bezels, stamped leaf appliqués, and hand-formed blossom details\u003cbr data-start=\"620\" data-end=\"623\"\u003e\u003cstrong data-start=\"623\" data-end=\"633\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr data-start=\"649\" data-end=\"652\"\u003e\u003cstrong data-start=\"652\" data-end=\"663\"\u003eArtist:\u003c\/strong\u003e Signed GV | Navajo silversmith under active research\u003cbr data-start=\"716\" data-end=\"719\"\u003e\u003cstrong data-start=\"719\" data-end=\"727\"\u003eEra:\u003c\/strong\u003e Circa 1970s\u003cbr data-start=\"739\" data-end=\"742\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"742\" data-end=\"753\"\u003eStatus:\u003c\/strong\u003e Signed vintage statement necklace with hand-inscribed reverse signature\u003cbr data-start=\"825\" data-end=\"828\"\u003e\u003cstrong data-start=\"828\" data-end=\"842\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eSpecifications: \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli data-start=\"918\" data-end=\"1014\"\u003eWear scale: substantial opera-length necklace — rests below the bust on most wearers\u003c\/li\u003e\n\u003cli data-start=\"1015\" data-end=\"1066\"\u003eLargest turquoise: approx. 1\" x 13\/16\" (bezel to bezel)\u003c\/li\u003e\n\u003cli data-start=\"1015\" data-end=\"1066\"\u003eNaja: 2 7\/8\" x 3\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1087\" data-end=\"1124\"\u003eBlossom length range: 1 1\/2\" - 1 5\/8\"\u003c\/li\u003e\n\u003cli data-start=\"1087\" data-end=\"1124\"\u003eBead form: traditional seamed bench-made Navajo silver beads\u003cspan\u003e strung on foxtail chain\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1125\" data-end=\"1169\"\u003eBead diameter: 8–9 mm\u003c\/li\u003e\n\u003cli data-start=\"1170\" data-end=\"1205\"\u003eTotal length: 30\" (including clasp)\u003c\/li\u003e\n\u003cli data-start=\"1206\" data-end=\"1229\"\u003eClasp: hook and eye\u003c\/li\u003e\n\u003cli data-start=\"1230\" data-end=\"1251\"\u003eWeight: 297.3 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:  \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe visual success of this necklace begins with its turquoise. Sky-blue cabochons carrying rich brown matrix remain closely matched throughout the necklace, creating a cohesive presentation from the blossom stations to the five-stone naja. In large vintage squash blossoms, that degree of consistency is increasingly appreciated, as examples encountered on the secondary market often show more noticeable variation or later stone replacements.\u003c\/p\u003e\n\u003cp\u003eThe silverwork reflects the confident hand of an experienced bench jeweler. A high-arched, nearly enclosed naja lends the center a strong architectural presence, while deeply split four-petal blossoms introduce sculptural dimension and quietly recall earlier Navajo squash blossom design traditions. Restrained rope-twist bezels and stamped leaf appliqués establish a repeating visual rhythm that complements rather than competes with the turquoise.\u003c\/p\u003e\n\u003cp\u003eBench-made silver beads retain the subtle individuality expected of hand-fabricated work and are strung on traditional foxtail chain, a durable construction well suited to a necklace approaching 300 grams. The result is a substantial 1970s Navajo necklace with strong period presence, balanced composition, and carefully matched stones.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 data-start=\"2329\" data-end=\"2354\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2356\" data-end=\"2768\"\u003eThe naja is hand-inscribed \"GV\" on the reverse, scratched into the silver rather than die-stamped. The initials do not appear in available reference sources and remain under active research. The hand-inscribed nature of the mark is consistent with both engraved maker's signatures and pawn or ownership notations documented in this period, and the distinction cannot be confirmed without additional provenance.\u003c\/p\u003e\n\u003cp data-start=\"2356\" data-end=\"2768\"\u003eThe Navajo attribution and circa 1970s dating are supported by the necklace's overall construction, fabrication techniques, bead assembly, silver finishing, and design language, all of which are consistent with Navajo silverwork of the period.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46099247071429,"sku":"00060NEMNJ12769","price":5350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/4190051-2.png?v=1776623276"},{"product_id":"bowekaty-zuni-bell-blossoms-squash-turquoise-necklace","title":"Mid-Century Zuni Turquoise Snake Eye Cluster Bell-Shaped Squash Blossom Necklace by B. BOWEKATY","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"827\" data-start=\"134\"\u003e\u003cstrong data-start=\"16\" data-end=\"27\"\u003eDesign:\u003c\/strong\u003e Native American turquoise cluster squash blossom necklace with bell-shaped blossoms\u003cbr data-start=\"111\" data-end=\"114\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"114\" data-end=\"124\"\u003eStone:\u003c\/strong\u003e Natural turquoise snake-eye cabochons\u003cbr data-start=\"162\" data-end=\"165\"\u003e\u003cstrong data-start=\"165\" data-end=\"175\"\u003eColor:\u003c\/strong\u003e Polychrome turquoise in sky-blue, robin’s egg blue, and celadon greens\u003cbr data-start=\"251\" data-end=\"254\"\u003e\u003cstrong data-start=\"254\" data-end=\"265\"\u003eAccent:\u003c\/strong\u003e Distinctive bell-shaped blossoms with stones framing each opening\u003cbr data-start=\"331\" data-end=\"334\"\u003e\u003cstrong data-start=\"334\" data-end=\"344\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver (unmarked)\u003cbr data-start=\"375\" data-end=\"378\"\u003e\u003cstrong data-start=\"378\" data-end=\"389\"\u003eArtist:\u003c\/strong\u003e Attributed to Bernard Bowekaty | Zuni artist\u003cbr data-start=\"444\" data-end=\"447\"\u003e\u003cstrong data-start=\"447\" data-end=\"455\"\u003eEra:\u003c\/strong\u003e Circa 1940s–1960s\u003cbr data-start=\"473\" data-end=\"476\"\u003e\u003cstrong data-start=\"476\" data-end=\"487\"\u003eStatus:\u003c\/strong\u003e Unsigned and unstamped mid-century Zuni squash blossom necklace\u003cbr data-start=\"551\" data-end=\"554\"\u003e\u003cstrong data-start=\"554\" data-end=\"568\"\u003eCondition:\u003c\/strong\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eSpecifications: \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: opera length — rests at the bust on most wearers and spans the upper chest\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNaja: 2\" x 1 7\/8\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlossom length: approx. 1 1\/4\"\u003c\/li\u003e\n\u003cli\u003eBeads: approx. 6 mm, strung on double-wire \u003c\/li\u003e\n\u003cli\u003eTotal length (including clasp): 25\" \u003c\/li\u003e\n\u003cli\u003eClasp: hook and eye\u003c\/li\u003e\n\u003cli\u003eWeight: 111.8 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"158\" data-end=\"447\"\u003eThis mid-century Zuni squash blossom necklace is built around finely arranged snake-eye cabochons. The varied turquoise palette gives the piece a subtle polychrome rhythm across the blossoms and naja, introducing beautiful tonal shifts without overwhelming the refined, delicate stonework.\u003c\/p\u003e\n\u003cp data-start=\"449\" data-end=\"833\"\u003eThe bell-shaped blossoms are central to the Bernard Bowekaty attribution, as they are a recognized signature design in his documented work. The sawtooth bezels, tight stone placement, balanced symmetry, and restrained sterling structure reinforce this association. The ensemble keeps the focus on the turquoise spread while highlighting the precision of traditional Zuni cluster work.\u003c\/p\u003e\n\u003cp data-start=\"835\" data-end=\"1193\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe traditional seamed, bench-made silver beads are individually formed, displaying the slight organic variation prized by collectors of vintage Native American jewelry. While the current double-wire stringing is period-appropriate, professional restringing on foxtail chain could be considered to give this 111.8-gram necklace a smoother drape on the chest.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis necklace is unsigned, which is common for Zuni work of this era. The attribution to \u003c\/span\u003eBernard Bowekaty rests on the distinctive, hand-fabricated bell-shaped blossom forms with tiny turquoise settings framing each opening — a design element closely associated with Bowekaty’s mid-century Zuni work and repeatedly seen in secondary-market and gallery-attributed examples of his squash blossom necklaces.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eBernard Bowekaty was a Zuni Pueblo jeweler and lapidary artist, identified in gallery and reference records as active during the mid-20th century. Published references record him as born around 1927 and passed before 1980, and note that one of his specialties was jewelry using snake-eye turquoise cabochons. Hallmark references associate his signed work with back-to-back BB initials, sometimes followed by ZUNI.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAlthough this necklace is unsigned, its visual and technical language is consistent with Bowekaty-attributed Zuni work: dense snake-eye turquoise settings, floral cluster stations, a turquoise-set naja, hand-strung silver beads, and the distinctive bell\/cone blossom drops with small stones framing each opening. The piece reflects the refined lapidary balance and rhythmic stone placement associated with classic Zuni petit point and snake-eye cluster work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause no signature is present, SCJ presents the Bowekaty attribution as a researched visual and technical attribution rather than a signed artist identification. The necklace is best understood as an unsigned mid-century Zuni snake-eye turquoise squash blossom necklace attributed to Bernard Bowekaty on the strength of its bell-blossom construction, cluster layout, and documented stylistic parallels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected collector notes may be featured in our upcoming Collectors Circle Insights publications.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46099260440773,"sku":"00061NEMNJ12738","price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/4190085-2.png?v=1776623088"},{"product_id":"fox-eight-turquoise-sterling-station-necklace","title":"88-Gram Navajo Fox Turquoise Sterling Silver Eight-Stone Station Bead Necklace","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e✨ \u003c\/span\u003e\u003c\/strong\u003eCollectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDesign: \u003c\/span\u003e\u003c\/strong\u003eVintage turquoise and sterling silver bead necklace with double-strand center, single-strand ends, and suspended center drop\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eStone: \u003c\/span\u003e\u003c\/strong\u003eTurquoise cabochons visually consistent with Fox material\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eColor: \u003c\/span\u003e\u003c\/strong\u003eSaturated, darker green and teal tones with golden brown matrix and subtle blue-green highlights in stronger light\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eAccent: \u003c\/span\u003e\u003c\/strong\u003eRounded stone stations with twisted wire borders, and oxidized recesses\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eMetal: \u003c\/span\u003e\u003c\/strong\u003e.925 sterling silver (unmarked)\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eAttribution: \u003c\/span\u003e\u003c\/strong\u003eDesign and construction consistent with Navajo work\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eEra:\u003c\/span\u003e\u003c\/strong\u003e Circa 1970s\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eStatus: \u003c\/span\u003e\u003c\/strong\u003eUnmarked and unsigned vintage turquoise and sterling silver bead necklace\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eCondition: \u003c\/span\u003e\u003c\/strong\u003eVery Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: statement choker sitting slightly above or at the collarbone on most wearers\u003c\/li\u003e\n\u003cli\u003eLargest stone: 1 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eCenter drop length: 2 3\/4\"\u003c\/li\u003e\n\u003cli\u003eSide stations length range: approx. 13\/16\" - 1\"\u003c\/li\u003e\n\u003cli\u003eBeads: approx. 8 mm\u003c\/li\u003e\n\u003cli\u003eTotal length: 16 1\/2\" including clasp; average neck sizes may benefit from a 2-3\" extender for a more relaxed drape\u003c\/li\u003e\n\u003cli\u003eWeight: 88.7 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis necklace has a quieter kind of presence: dark green to deep teal turquoise, oxidized sterling, and a compact choker profile that feels substantial without becoming loud. The stones are not bright blue statement pieces — their appeal is more restrained, with saturated color, golden-brown matrix, and subtle teal highlights that reward close attention.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe composition is built around rhythm and weight. Seven turquoise stations crown the collar, framed by darkened silver and joined by a double strand of bench-made sterling beads. A suspended oval drop at the center adds movement and a clear focal point without breaking the choker silhouette.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eLight changes the read. Indoors, the stones run deeper and more subdued, dark green and teal, carrying the eye from station to station. In stronger light, brighter blue-green flashes surface briefly — then the mood settles back, grounded and refined rather than bright or showy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe silverwork holds that same character. Beads are visibly hand-assembled, with softened surfaces, seams, and oxidation that give the piece its vintage depth. Each station sits in a heavy frame with twisted wire borders and dark recesses — an old-style protected setting that feels hand-worked from every angle.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe turquoise is identified as visually consistent with Fox material based on color, matrix, and overall appearance. No laboratory documentation accompanies the necklace, and SCJ presents the identification as an evidence-led working attribution rather than a provenance guarantee.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003eHallmark \u0026amp; Identification Notes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThis piece carries no maker's hallmark or sterling stamp. The construction speaks clearly — hand-built sterling beads, twisted wire borders, heavy stone stations, oxidized recesses, a wire hook clasp, and a double-strand center — all hallmarks of traditional Navajo silversmithing. SCJ describes the attribution through construction and design language, as is standard practice for unsigned vintage work.\u003c\/p\u003e\n\u003cp\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected collector notes may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46099260801221,"sku":"00062NEMNJ12840","price":1675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/4190125-2.png?v=1776643044"},{"product_id":"spiderweb-turquoise-sterling-necklace-ben-sandoval","title":"90-Gram Navajo Saturated Blue Spiderweb Turquoise Sterling Silver Station Necklace by B. SANDOVAL","description":"\u003cp style=\"text-align: center;\"\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Signed vintage spiderweb turquoise and sterling silver bead necklace with bench-made beads, three suspended stone stations, and a tandem center drop\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStone:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Spiderweb turquoise with professional opinions noting both Kingman and high-grade Hubei visual possibilities\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eColor: \u003c\/span\u003e\u003c\/strong\u003ePerfectly matched s\u003cspan\u003eaturated blue turquoise with reddish brown spiderweb matrix and darker host-rock movement\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAccent:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Heavy-gauge pendant settings with twisted wire borders, stamped side accents, and oxidized silver depth\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMetal:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e .925 sterling silver\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Signed BEN.S | Ben Sandoval, Navajo silversmith\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEra:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Late 20th century, most likely 1980s\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStatus:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Signed turquoise and sterling silver statement necklace\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eSpecifications: \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: princess-length statement necklace spanning the upper chest\u003c\/li\u003e\n\u003cli\u003eLargest stone: 1 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eCenter drop station: 4 3\/4\" (including bail)\u003c\/li\u003e\n\u003cli\u003eSide stations length range: 2 1\/4\" - 2 1\/2\"\u003c\/li\u003e\n\u003cli\u003eBeads: approx. 7 mm\u003c\/li\u003e\n\u003cli\u003eTotal length: 17 3\/4\" (including clasp)\u003c\/li\u003e\n\u003cli\u003eWeight: 90.3 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis signed necklace is a serious turquoise statement piece: saturated blue spiderweb stones, heavy sterling pendant settings, and a strong bead construction that sits high across the chest. The design is built around three suspended turquoise stations, with the center pendant extending into a dramatic tandem drop that adds movement, length, and visual focus to the necklace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe turquoise is the immediate draw. Each cabochon shows a vivid blue color moving through a reddish-brown spiderweb matrix, with darker host-rock passages that add depth and contrast. The stones have the kind of bold surface activity collectors look for in spiderweb turquoise, while the matching color family keeps the necklace cohesive rather than busy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSandoval’s silverwork gives the piece its structure. The pendant settings feature substantial bezels, twisted-wire borders, stamped side accents, and a dark oxidized ground that sharpens the blue of the stones. The bench-made sterling beads add weight and rhythm, shifting from a double-strand center section to a single strand toward the clasp for a balanced, wearable drape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe turquoise is presented transparently. Professional review has produced two plausible readings: Kingman turquoise and high-grade Hubei Province material. Kingman was considered the more likely identification in one professional review, based on the necklace’s construction context and the understanding that Ben Sandoval is not known to work with imported material. Other turquoise specialists noted visual characteristics consistent with high-grade Hubei. Because no mine paperwork or laboratory report accompanies the necklace, SCJ presents the stones as high-grade spiderweb turquoise visually consistent with Kingman, with the Hubei comparison disclosed as part of an open, evidence-led identification.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003eSigned BEN.S \/ .925 — identified as a variation consistent with the documented BEN S. hallmark recorded in both Billie Hougart's \u003cem\u003eNative American and Southwestern Silver Hallmarks\u003c\/em\u003e and Barton Wright's \u003cem\u003eHallmarks of the Southwest\u003c\/em\u003e. This piece is believed to be the work of Ben Sandoval, a Navajo silversmith documented in collector communities as a skilled production benchsmith who worked across multiple shops — a career path common among the craftsmen responsible for much of the finest mid-market Navajo silver of the 1980s.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eDuring that decade, skilled Navajo artisans were working out of shops in Gallup and Albuquerque, supplying trading posts and gift stores across the country; trade schools were actively producing trained silversmiths, and the work was serious. The period also predates the Indian Arts and Crafts Act of 1990, which helps explain why talented production smiths like Sandoval built strong reputations through trade channels while leaving a limited institutional footprint.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA Native American jewelry specialist who consults with the Silver Cactus Jewelry team has reviewed the hallmark and construction, and the attribution is considered consistent with his known body of work. His pieces reflect a confident, experienced hand — heavy-gauge silver construction, strong chasing, and careful stone selection that speak to a craftsman who took his work seriously. The Sandoval name carries deep roots in the silversmithing community of Tohajiilee (Cañoncito), New Mexico, where multiple generations of the family worked in silver. Extensive research has yet to yield specific family ties or associations; BEN.S's work survives on its own merits.\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46099261751493,"sku":"00063NE4NJ12368","price":1880.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/4190157-2.png?v=1776622675"},{"product_id":"native-american-coral-cluster-sterling-bib-necklace","title":"1970s Navajo Coral Cluster Sterling Silver Bead \u0026 Link Bib Necklace by H. ORTEGA","description":"\u003cp style=\"text-align: center;\"\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e Native American signed coral cluster bib necklace with articulated sterling silver construction and graceful upper-chest drape\u003cbr\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Matched coral cabochons arranged in cross-form cluster stations\u003cbr\u003e\u003cstrong\u003eColor:\u003c\/strong\u003e Warm red-orange coral with an almost matte vintage finish, contrasted by oxidized sterling silver\u003cbr\u003e\u003cstrong\u003eAccent:\u003c\/strong\u003e Silver drop accents and open sterling connector links\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Signed H Ortega | Helen Ortega, Navajo silversmith\u003cbr\u003e\u003cstrong\u003eEra:\u003c\/strong\u003e Circa 1970s\u003cbr\u003e\u003cstrong\u003eStatus:\u003c\/strong\u003e Signed vintage coral and sterling silver bib necklace\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: princess bib — spans the upper chest\u003c\/li\u003e\n\u003cli\u003eStones: approx. 5\/8\" x 1\/4\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003ePendant size: approx. 1\" x 1\"\u003c\/li\u003e\n\u003cli\u003eRound beads: approx. 8 mm\u003c\/li\u003e\n\u003cli\u003eMelon beads: approx. 13 x 5 mm\u003c\/li\u003e\n\u003cli\u003eTotal length: 17 1\/2\" (including clasp)\u003c\/li\u003e\n\u003cli\u003eClasp: hook-and-eye closure\u003c\/li\u003e\n\u003cli\u003eWeight: 75.4 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis Helen Ortega necklace features a striking articulated bib form, built from repeating cross-form coral cluster stations joined by open sterling links. Rather than presenting as a single pendant, the necklace spreads across the upper chest in a light, lace-like arrangement, giving the piece movement, drape, and a strong graphic silhouette.\u003c\/p\u003e\n\u003cp\u003eThe coral cabochons are closely matched in a warm red-orange hue, lending the piece a softened vintage character. Each cluster is set in sawtooth bezels against dark oxidized recesses, creating a vibrant contrast and making the coral read with greater depth and dimension.\u003c\/p\u003e\n\u003cp\u003eThe open connector work is an important part of the design. Diamond-shaped sterling links and slender bar elements give the bib flexibility, allowing the stations to articulate across the neckline instead of sitting as a rigid plate. Small silver drops add rhythm at the cluster edges, while the upper strand of round and melon beads gives the necklace structure without competing with the coral bib.\u003c\/p\u003e\n\u003cp\u003eThe result is a vintage coral statement necklace with unusual movement, balanced proportions, and lovely color harmony — a piece well suited to collectors drawn to signed Native American silverwork with warmth, graphic presence, and graceful wearability.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis necklace is signed H. Ortega. Public biographical information on Helen Ortega appears limited, so the listing focuses on the maker's mark, coral cluster construction, sterling silver beadwork, foxtail chain, hook-and-eye closure, and the circa-1970s character of the piece.\u003c\/p\u003e\n\u003cp\u003eHelen Ortega was a Navajo silversmith active in the 1970s whose work most likely circulated regionally through trading posts and private buyers rather than galleries or shows — the path most working Navajo artists of her era traveled. She doesn't appear to have entered her pieces into juried museum competitions (such as the Gallup Inter-Tribal Indian Ceremonial or the Heard Museum Guild Fair), missing the standard avenues that generated permanent biographical entries in reference texts like Hougart’s or Wright’s. \u003c\/p\u003e\n\u003cp\u003eHelen Ortega does not appear to be associated with the Ortega Indian Jewelry Store located in Gallup, New Mexico. Extensive research across hallmark databases, auction records, museum collections, and Native American jewelry archives yields no published biographical record, which is entirely typical of skilled craftspeople who let their work speak for itself. She is a marker of a tradition of quietly talented artisans whose names rarely made it into books but whose pieces endure. The script signature on this necklace — hand-engraved in her distinctive dotted cursive — is both her hallmark and her story.\u003c\/p\u003e\n\u003cp\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46099262210245,"sku":"00063NEMNJ12059","price":1685.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/4190193-2.png?v=1776619092"},{"product_id":"kingman-morenci-turquoise-cluster-sterling-navajo-cuff-bracelet","title":"158-Gram Kingman \u0026 Morenci Turquoise Cluster Sterling Cuff Bracelet by Navajo Artist D. CHATTER","description":"\u003cp style=\"text-align: center;\"\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e Native American signed three-panel turquoise cluster cuff bracelet with heavy sterling construction\u003cbr\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Mixed turquoise cabochons consistent with Kingman and Morenci materials\u003cbr\u003e\u003cstrong\u003eColor:\u003c\/strong\u003e Blue and green turquoise palettes with tan and brown matrix, some with pyrite\u003cbr\u003e\u003cstrong\u003eAccent:\u003c\/strong\u003e Numerous snake-eye turquoise cabochons, a few silver drop accents, and rounded raised borders\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Signed D C | Navajo silversmith Delbert Chatter\u003cbr\u003e\u003cstrong\u003eEra:\u003c\/strong\u003e 1990s\u003cbr\u003e\u003cstrong\u003eStatus:\u003c\/strong\u003e Signed Navajo turquoise cluster cuff bracelet with sterling mark\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: extra-large statement cuff with wide wrist coverage\u003c\/li\u003e\n\u003cli\u003eLargest turquoise: 3\/8\" × 3\/8\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 2 5\/16\"\u003c\/li\u003e\n\u003cli\u003eInside length: 6 5\/16\" \u003c\/li\u003e\n\u003cli\u003eGap: 1 7\/16\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 7 3\/4\" (XL per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 158.1 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis signed Delbert Chatter cuff carries the density, scale, and wrist presence collectors look for in substantial late-20th-century Navajo cluster work. The three-panel layout segments the mixed Kingman and Morenci turquoise into a deliberate, rhythmic composition, showcasing a palette that moves between vibrant blues and deep greens, laced with tan, brown, and occasional pyrite flashes. Larger center cabochons are balanced by tightly nested snake-eye accents and rounded raised borders that add texture to the design.\u003c\/p\u003e\n\u003cp\u003eThe construction is built for longevity. The heavy panels are anchored by a four-tine heavy-gauge shank, reinforced with hand-twisted silver rope through the center for structural integrity and visual depth. Two fine hairlines are present in the silver, but given the bracelet's sheer weight, gauge, and reinforced construction, they are not considered compromising to its integrity or functionality.\u003c\/p\u003e\n\u003cp\u003eAt 158.1 grams, this is a powerful statement cuff. Among other Delbert Chatter’s cluster work, this example reads as a more substantial, heavy-silver design, expected in a collector-grade Navajo cuff.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis bracelet is signed \"D C\" and bears a sterling mark. Reference materials associate this hallmark with Delbert Chatter, a Navajo silversmith associated with the Winslow, Arizona region, who specializes in high-density cluster work.\u003c\/p\u003e\n\u003cp\u003eWhile public biographical information on Chatter remains limited, market records place his gallery and auction presence across the Southwest and California, with early pieces tracing back to the 1970s. This 1990s cuff stands as a prime example of his most substantial, heavy-silver period, combining masterly lapidary arrangement with an exceptionally robust hand-fabricated chassis.\u003c\/p\u003e\n\u003cp\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46242378514629,"sku":"00065BRMNJ12847","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/5190907.png?v=1779158872"},{"product_id":"turquoise-mountain-spiderweb-flower-bracelet-marcus","title":"Two-Stone Turquoise Mountain Spiderweb \u0026 Sculptural Floral Sterling Cuff Bracelet by Navajo artisan M. CHAVEZ","description":"\u003cp style=\"text-align: center;\"\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e Native American signed two-stone turquoise cuff bracelet with flower motif and strong sterling construction\u003cbr\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Two visually matched turquoise cabochons consistent with Turquoise Mountain material\u003cbr\u003e\u003cstrong\u003eColor:\u003c\/strong\u003e Green-dominant spiderweb stones with vivid sky-blue tones near the bezels\u003cbr\u003e\u003cstrong\u003eAccent:\u003c\/strong\u003e Fully dimensional hand-fabricated flowers, chased leaves, curling wirework, and silver drops\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e .925 sterling silver\u003cbr\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Signed MARCUS | Marcus Chavez, Navajo silversmith\u003cbr\u003e\u003cstrong\u003eEra:\u003c\/strong\u003e 1980s - 1990s\u003cbr\u003e\u003cstrong\u003eStatus:\u003c\/strong\u003e Signed and sterling-marked Navajo turquoise cuff bracelet\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: large statement cuff with high-rise stone profile and sculptural wrist presence\u003c\/li\u003e\n\u003cli\u003eLargest turquoise: 1 5\/8\" × 1 3\/8\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 2 1\/2\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 3\/4\" \u003c\/li\u003e\n\u003cli\u003eGap: 1 1\/4\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: 7\" (L per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 78.8 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis cuff makes its first impression as a complete composition: high-domed turquoise, dimensional flowers, and open silver construction working in the same visual language. The cabochons bring saturated blue-green color and height, while the hand-fabricated flowers, chased leaves, and curling wirework give the bracelet a bright botanical character rather than simply serving as decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe turquoise remains vivid in indoor light. The green areas deepen into rich forest and foliage tones, while clear sky-blue stays visible near the bezels and stone edges. In stronger light, the blue opens further across the surface, brightening the cabochons and giving the stones a livelier, more expansive presence. The two stones are visually matched not because they are identical, but because they move together in color, temperature, and overall character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe construction supports that same sense of lift and openness. The high-set stones create the bracelet’s bold profile, but the open multi-band shank keeps the cuff from feeling dense or overbuilt. Leaves tuck beneath and around the cabochons, wire stems curve through the open framework, and silver drops add small points of brightness against the oxidized recesses. The silverwork is strong enough to carry the scale of the stones, yet open enough to let the floral design breathe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe flowers are especially compelling. They are not flat stamped motifs, but built silver forms with raised petals, chased interior lines, rounded silver-shot centers, and leaves that curl away from the surface. Each element feels individually shaped, giving the cuff the presence of a sculptural floral piece rather than a standard two-stone bracelet with added ornament.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is a statement cuff with unusual balance: vivid turquoise, dimensional floral silverwork, and a construction that feels open, strong, and carefully composed. The stones draw the eye immediately, but the flowers and layered build reward closer study from every angle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe turquoise is identified as consistent with Turquoise Mountain material based on visual and contextual assessment. No laboratory documentation accompanies the cuff, so SCJ presents the mine identification as an evidence-led working attribution rather than a provenance guarantee.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis bracelet is signed MARCUS and carries a sterling mark. SCJ identifies the maker as Marcus Chavez, a Navajo silversmith from Shiprock, New Mexico, on the Navajo Nation. Reference examples for Chavez more commonly show the fuller MARCUS C signature, while this cuff is stamped MARCUS only. Even so, the letter formation shows a notable visual relationship: the MARC portion rises slightly, while the U and S sit offset on a downward incline, a pattern also seen in Marcus Chavez reference marks. This supports presenting the bracelet under Marcus Chavez while noting the shortened hallmark.\u003c\/p\u003e\n\u003cp\u003ePublic retail references and comparable market examples show that pieces stamped MARCUS and MARCUS C share a related construction vocabulary, especially the pairing of large natural stones with hand-fabricated silver flowers and leaf forms. Current market examples also show Chavez working across a wide range of materials, including Royston District, Kingman, Bumble Bee, Wild Horse, and Rainbow moonstone, reinforcing the stone-forward character of his known work.\u003c\/p\u003e\n\u003cp\u003eThe silverwork on this bracelet is notably more dimensional and sculptural than many currently circulating pieces under the full Marcus Chavez hallmark, suggesting a more ambitious build — possibly an earlier or higher-grade example. SCJ presents the maker identification confidently in the listing while preserving the hallmark nuance here for transparency.\u003c\/p\u003e\n\u003cp\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46246888931525,"sku":"00073BR2NJ12948","price":1955.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/5190877.png?v=1779235930"},{"product_id":"massive-kingman-turquoise-cuff-bracelet-navajo","title":"161-Gram Extra-Large Vivid Blue \u0026 Golden Matrix Turquoise Sterling Silver Navajo Cuff Bracelet","description":"\u003cp style=\"text-align: center;\"\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNavajo-attributed statement turquoise cuff bracelet\u003cspan\u003e with heavy-gauge sterling construction, split-shank form, and leaf motifs overlapping the stone\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStone:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Large turquoise cabochon consistent with Kingman material\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eColor:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Saturated blue turquoise with golden-brown matrix and natural green-gold movement\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAccent:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Chased leaf appliqués, rope border, and silver drop accents\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMetal:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e .925 sterling silver (unmarked)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAttribution:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUnsigned piece aligned with late-20th-century Navajo silverwork\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEra:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 1970s\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStatus:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Unsigned and unstamped sterling turquoise cuff bracelet\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: extra-large statement cuff with major wrist coverage and bold collector presence\u003c\/li\u003e\n\u003cli\u003eTurquoise: 3\" x 2 1\/2\" (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 3 3\/8\"\u003c\/li\u003e\n\u003cli\u003eInside length: 6\" \u003c\/li\u003e\n\u003cli\u003eGap: 1 9\/16\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: approx. 7 9\/16\" (L per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 161.7 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThis cuff is built around one undeniable feature: a massive, high-domed turquoise cabochon with the scale and color presence that stops a collector mid-scroll. The turquoise dominates the face, with its natural variation shifting between sky-blue, aqua, and green-gold across the surface.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe silverwork frames it without competing. A rope border traces the cabochon, chased leaf appliqués rise along the sides and partially overlap the turquoise, and silver drop accents give the design rhythm at key points — enough detail to hold the eye, not enough to pull it from the stone.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFrom the side, the architecture becomes clear: tall stone profile, open split-shank construction, and heavy-gauge silver supports that lift the face high above the wrist. The design carries the bold confidence of 1970s Navajo statement work, where stone scale, silver weight, and hand-formed construction did the talking.\u003c\/p\u003e\n\u003cp\u003eAt 161.7 grams, this bracelet makes its presence known. The openwork shank keeps it from reading as heavy despite the scale, but nothing here is understated. It is a piece built for the turquoise that anchors it.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis bracelet is unsigned and carries no visible sterling stamp. The Navajo attribution is based on the silver construction and overall late-20th-century Navajo design characteristics. \u003c\/p\u003e\n\u003cp\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46247226671301,"sku":"00074BR1NJ11444","price":1725.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/5190560.png?v=1779318074"},{"product_id":"spiderweb-turquoise-multi-row-sterling-bracelet-greg-thorne","title":"144-Gram Southwestern Teal Spiderweb Turquoise Multi-Row Stone Setting Sterling Cuff Bracelet by G. THORNE","description":"\u003cp style=\"text-align: center;\" data-end=\"95\" data-start=\"81\" data-section-id=\"13hjq2b\"\u003e\u003cspan\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"95\" data-start=\"81\" data-section-id=\"13hjq2b\"\u003e\u003cstrong\u003eAt a Glance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"853\" data-start=\"97\"\u003e\u003cstrong data-end=\"108\" data-start=\"97\"\u003eDesign:\u003c\/strong\u003e Southwestern wide multi-row spiderweb turquoise cuff bracelet with heavy sterling construction, dark oxidized ground, and hand-stamped detail\u003cbr data-end=\"253\" data-start=\"250\"\u003e\u003cstrong data-end=\"418\" data-start=\"408\"\u003eStone:\u003c\/strong\u003e Spiderweb turquoise with professional opinions split between Kingman and high-grade Hubei Province material\u003cbr data-end=\"319\" data-start=\"316\"\u003e\u003cstrong data-end=\"329\" data-start=\"319\"\u003eColor:\u003c\/strong\u003e Deep teal-blue turquoise with tight dark spiderweb matrix and pale host-rock accents; brighter blue tones are most visible in direct sunlight\u003cbr data-end=\"414\" data-start=\"411\"\u003e\u003cstrong data-end=\"425\" data-start=\"414\"\u003eAccent:\u003c\/strong\u003e Stamped borders, interior geometric stampwork, arrow stamps, pictorial terminal details, and single turquoise cabochons at each end of the shank\u003cbr data-end=\"573\" data-start=\"570\"\u003e\u003cstrong data-end=\"583\" data-start=\"573\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver, unmarked\u003cbr data-end=\"617\" data-start=\"614\"\u003e\u003cstrong data-end=\"628\" data-start=\"617\"\u003eArtist:\u003c\/strong\u003e Greg Thorne | Anglo silversmith-confirmed through SCJ’s appraiser\u003cbr data-end=\"662\" data-start=\"659\"\u003e\u003cstrong data-end=\"670\" data-start=\"662\"\u003eEra:\u003c\/strong\u003e 1990s\u003cbr data-end=\"704\" data-start=\"701\"\u003e\u003cstrong data-is-only-node=\"\" data-end=\"715\" data-start=\"704\"\u003eStatus:\u003c\/strong\u003e Unsigned artist-confirmed spiderweb turquoise sterling cuff; no visible sterling stamp\u003cbr data-end=\"798\" data-start=\"795\"\u003e\u003cstrong data-end=\"812\" data-start=\"798\"\u003eCondition:\u003c\/strong\u003e Very Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: large statement cuff with wide wrist coverage, substantial weight, and strong collector presence\u003c\/li\u003e\n\u003cli\u003eStones: approx. 7\/16\" in diameter (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 1 15\/16\"\u003c\/li\u003e\n\u003cli\u003eInside length: 6\" \u003c\/li\u003e\n\u003cli\u003eGap: 1 3\/8\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: approx. 7 3\/8\" (L per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 144.1 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eGallery Note: \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"703\" data-start=\"276\"\u003eThis Greg Thorne cuff has the presence of a serious collector piece: substantial in weight, broad across the wrist, and built with a dense multi-row arrangement that gives the bracelet a strong old-style Southwestern look. The dark oxidized ground deepens the overall tone, making the spiderweb turquoise read moodier in shade and indoor light, while direct sunlight brings forward brighter blue flashes within the teal matrix.\u003c\/p\u003e\n\u003cp data-end=\"972\" data-start=\"705\"\u003eThe interior stampwork adds one of the cuff’s most distinctive details. Rather than serving only as decoration, the hidden geometric pattern gives the piece a personal, maker-driven quality and reflects the kind of thoughtful construction that rewards close handling.\u003c\/p\u003e\n\u003cp data-end=\"1425\" data-start=\"974\"\u003eThe turquoise is presented transparently. Professional opinions include Spiderweb Kingman and high-grade Hubei Province material, with recent expert review favoring Hubei based on the bracelet’s 1990s context, visual characteristics, and market history. Because no mine paperwork or laboratory report accompanies the cuff, SCJ presents the stone as high-grade spiderweb turquoise with open, evidence-led identification rather than a closed mine claim.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"1771\" data-start=\"1454\"\u003eThis cuff is unsigned and carries no visible sterling stamp. SCJ identifies the maker as Southwest artisan Greg Thorne through its professional evaluation process, including direct artist confirmation obtained through an SCJ consulting appraiser with established knowledge of Southwestern and Native American jewelry.\u003c\/p\u003e\n\u003cp data-end=\"2111\" data-start=\"1773\"\u003eAs part of that review, the consulting appraiser spoke directly with Greg Thorne regarding the cuff. Thorne recalled the bracelet, the cabochons he remembered as Kingman, and the hidden geometric stampwork on the interior. He described the interior design element as personally inspired by patterns he encountered during a trip to Mexico.\u003c\/p\u003e\n\u003cp data-end=\"2437\" data-start=\"2113\"\u003eThat specific recollection is especially meaningful because the interior stamping is not a generic surface detail; it is a maker-driven feature placed where it is primarily discovered through close handling. The detail supports the attribution while adding context that would not be visible from the unsigned exterior alone.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2888\" data-start=\"2439\"\u003eGreg Thorne is an Anglo silversmith known for work that draws on older Southwestern forms and traditional techniques he learned through exposure to Navajo and Pueblo artists. His pieces often appeal to collectors who appreciate substantial silver, strong stone presence, and the visual language of earlier Native American and Southwestern jewelry, while remaining clearly identified as Anglo Southwestern work rather than Native-made.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2888\" data-start=\"2439\"\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46253269450949,"sku":"00075BRMNJ6785","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/5190632.png?v=1779379937"},{"product_id":"kingman-turquoise-navajo-spider-web-cuff-bracelet","title":"1970s Southwestern Navajo Kingman Turquoise Spider Sterling Silver Raised Web Shank Cuff Bracelet","description":"\u003cp data-section-id=\"13hjq2b\" data-start=\"98\" data-end=\"112\" style=\"text-align: center;\"\u003e✨ Collectors Circle Members receive a welcome offer\u003c\/p\u003e\n\u003ch2 data-section-id=\"13hjq2b\" data-start=\"98\" data-end=\"112\"\u003e\u003cstrong\u003eAt a Glance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"114\" data-end=\"840\"\u003e\u003cstrong data-start=\"114\" data-end=\"125\"\u003eDesign:\u003c\/strong\u003e Native American turquoise spider cuff bracelet with spider \u0026amp; raised web motif\u003cbr data-start=\"247\" data-end=\"250\"\u003e\u003cstrong data-start=\"250\" data-end=\"260\"\u003eStone:\u003c\/strong\u003e Turquoise cabochon consistent with Kingman material\u003cbr data-start=\"312\" data-end=\"315\"\u003e\u003cstrong data-start=\"315\" data-end=\"325\"\u003eColor:\u003c\/strong\u003e Saturated blue turquoise with minimal tan-gray matrix and light pyrite\u003cbr data-start=\"390\" data-end=\"393\"\u003e\u003cstrong data-start=\"393\" data-end=\"404\"\u003eAccent:\u003c\/strong\u003e Dimensional spider motif with stampwork and chasing, large sawtooth bezel, rope frame, raised web wirework, and silver drop accents\u003cbr data-start=\"536\" data-end=\"539\"\u003e\u003cstrong data-start=\"539\" data-end=\"549\"\u003eMetal:\u003c\/strong\u003e .925 sterling silver (unmarked)\u003cbr data-start=\"580\" data-end=\"583\"\u003e\u003cstrong data-start=\"583\" data-end=\"599\" data-is-only-node=\"\"\u003eAttribution:\u003c\/strong\u003e Navajo spider detail with Anglo webbed shank\u003cbr data-start=\"666\" data-end=\"669\"\u003e\u003cstrong data-start=\"669\" data-end=\"677\"\u003eEra:\u003c\/strong\u003e 1970s\u003cbr data-start=\"683\" data-end=\"686\"\u003e\u003cstrong data-start=\"686\" data-end=\"697\"\u003eStatus:\u003c\/strong\u003e Unsigned and unstamped turquoise spider cuff bracelet\u003cbr data-start=\"782\" data-end=\"785\"\u003e\u003cstrong data-start=\"785\" data-end=\"799\"\u003eCondition:\u003c\/strong\u003e Fine — see \u003ca href=\"javascript:void(0);\" onclick=\"openConditionGuidePopup()\"\u003eSCJ Vintage Condition Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWear scale: medium statement cuff with wide rectangular wrist coverage and dimensional spider-and-web presence\u003c\/li\u003e\n\u003cli\u003eStone: 9\/16 x \"3\/8 (bezel to bezel)\u003c\/li\u003e\n\u003cli\u003eFace width: 1 3\/8\"\u003c\/li\u003e\n\u003cli\u003eInside length: 5 7\/16\" \u003c\/li\u003e\n\u003cli\u003eGap: 1 1\/8\"\u003c\/li\u003e\n\u003cli\u003eTotal inside circumference: approx. 6 11\/16\" (M per SCJ size guide)\u003c\/li\u003e\n\u003cli\u003eWeight: 47.1 grams\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"1562\" data-end=\"1758\"\u003e\u003cstrong\u003eHallmark \u0026amp; Maker Notes:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"563\" data-end=\"826\"\u003eThis bracelet is unsigned and carries no visible sterling stamp. The Navajo attribution is based on the spider appliqué’s silver construction, including the stamped and chased detailing, dimensional body, and hand-fabricated elements around the turquoise setting.\u003c\/p\u003e\n\u003cp data-start=\"828\" data-end=\"1108\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe cuff body and raised webbed shank show Anglo influence and\/or collaboration, as determined through\u003cstrong\u003e \u003c\/strong\u003eSCJ’s professional evaluation process. This piece is therefore presented as a Navajo-Anglo turquoise spider cuff rather than a straightforward single-maker Navajo bracelet.\u003c\/p\u003e\n\u003cp data-start=\"828\" data-end=\"1108\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e✨ Collector inquiries are welcome. SCJ is open to thoughtful questions, documented observations, and new information that deepens the story of a piece. With permission, selected comments from our Members may be featured in our upcoming Collectors Circle Insights publications.\u003c\/p\u003e","brand":"Silver Cactus Jewelry","offers":[{"title":"Default Title","offer_id":46259020988613,"sku":"00072BR1NJ","price":715.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0669\/0956\/9221\/files\/5190592.png?v=1779405452"}],"url":"https:\/\/www.silvercactusjewelry.com\/collections\/200-and-above.oembed?page=2","provider":"Silver Cactus Jewelry","version":"1.0","type":"link"}